2015
DOI: 10.22146/ijg.6748
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Social Action of Conversion in Islamic Art: Study on the Larasmadya Art Form in the Sleman Geocultural Region

Abstract: The research concerned here had the purpose of learning the rationality in the social action of conversion by the farmer communities supporting the Larasmadya art form in the Sleman geocultural region. The research was qualitative in approach. The research subjects were members of the farmer communities supporting the Larasmadya art who previously supporting the Slawatan Maulud art form. The research data were compiled by means of observations, interviews, and documentation. These data were analyzed through th… Show more

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