“…e existing assessment of the quality of poetry generation is mainly conducted manually, usually based on four evaluation criteria: fluency, coherence, metricality, and meaning [6,10,11], which mainly consider the fluency, coherence, metricality, and meaning of the generated poems, i.e., whether the metricality is qualified, whether the verses are fluent, whether the verses are coherently related, and whether the verses have content and meaning. Combined with studies related to the literary aspects of literature, it is found that the evaluation of literature from these four criteria only is one-sided, as shown in Figure 6 the probability of the distribution of literary vocabulary; the above four criteria can be said to be the most basic requirements for generating sentences that can be called poetry, and a qualified poem, in addition to the basic requirements such as semantic coherence, flatness, and rhyme, the context/ emotion of the poem is more important, and contextual interplay is the most appropriate criterion for evaluating poetry e most appropriate criterion for evaluating a poem is the blending of moods and emotions [5]. erefore, in this paper, based on the existing manual evaluation criteria for poetry, we add two evaluation indicators of mood/emotion and tangency e improved manual evaluation criteria are shown in Table 1.…”