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Cited by 17 publications
(10 citation statements)
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“…e existing assessment of the quality of poetry generation is mainly conducted manually, usually based on four evaluation criteria: fluency, coherence, metricality, and meaning [6,10,11], which mainly consider the fluency, coherence, metricality, and meaning of the generated poems, i.e., whether the metricality is qualified, whether the verses are fluent, whether the verses are coherently related, and whether the verses have content and meaning. Combined with studies related to the literary aspects of literature, it is found that the evaluation of literature from these four criteria only is one-sided, as shown in Figure 6 the probability of the distribution of literary vocabulary; the above four criteria can be said to be the most basic requirements for generating sentences that can be called poetry, and a qualified poem, in addition to the basic requirements such as semantic coherence, flatness, and rhyme, the context/ emotion of the poem is more important, and contextual interplay is the most appropriate criterion for evaluating poetry e most appropriate criterion for evaluating a poem is the blending of moods and emotions [5]. erefore, in this paper, based on the existing manual evaluation criteria for poetry, we add two evaluation indicators of mood/emotion and tangency e improved manual evaluation criteria are shown in Table 1.…”
Section: Manual Assessmentmentioning
confidence: 99%
See 1 more Smart Citation
“…e existing assessment of the quality of poetry generation is mainly conducted manually, usually based on four evaluation criteria: fluency, coherence, metricality, and meaning [6,10,11], which mainly consider the fluency, coherence, metricality, and meaning of the generated poems, i.e., whether the metricality is qualified, whether the verses are fluent, whether the verses are coherently related, and whether the verses have content and meaning. Combined with studies related to the literary aspects of literature, it is found that the evaluation of literature from these four criteria only is one-sided, as shown in Figure 6 the probability of the distribution of literary vocabulary; the above four criteria can be said to be the most basic requirements for generating sentences that can be called poetry, and a qualified poem, in addition to the basic requirements such as semantic coherence, flatness, and rhyme, the context/ emotion of the poem is more important, and contextual interplay is the most appropriate criterion for evaluating poetry e most appropriate criterion for evaluating a poem is the blending of moods and emotions [5]. erefore, in this paper, based on the existing manual evaluation criteria for poetry, we add two evaluation indicators of mood/emotion and tangency e improved manual evaluation criteria are shown in Table 1.…”
Section: Manual Assessmentmentioning
confidence: 99%
“…It is hard to imagine that a particular country or nation could build its own sublime literary temples on the ruins of its culture. It is hard to imagine that any one nation or people could build its own sublime literary temples on cultural ruins [4,5].…”
Section: Introductionmentioning
confidence: 99%
“…First classification criteria for social bots is a field of activity where the bots are used. Among them we highlight the most significant -politics [14,16,17,20,22,25,26], marketing [15,17,18], social problems solutions [2,12,19,24].…”
Section: Introductionmentioning
confidence: 99%
“…Fake news is studied both as a result of insufficient training of journalists (Ilchenko, 2018), and as a product for maliciously creating turbulence in society in the context of information wars (Vasilkova & Legostaeva, 2019). There are classifications of fake news on various grounds (Suhodolov & Bychkova, 2017).…”
Section: Introductionmentioning
confidence: 99%