Social orientation of postmodern choreographic performance in a post-pandemic society

Abstract

Today, in a post-pandemic space, all types of art, comprehending, due to their figurative specificity, certain spheres of objective reality, already as a result of this, circumstances have their own, only inherent laws. Using the inexhaustible possibilities of the plasticity of the human body, choreography has refined and developed expressive dance movements for many centuries. As a result of this complex process, a system of choreographic movements arose, that is, a special artistic and expressive speech of plastics, constitutes the creative material of dance imagery. Choreographic art includes various types of arts: music, choreography itself, drama, painting. Each of them, changing in accordance with the requirements of this type of art, becomes a necessary component of choreographic figurative thinking. Each type of art is achieved thanks to its own figurative specificity, patterns and certain pictorial and expressive means. Choreographic activity dictates its own laws of reflection of reality, is based not on the correspondence of life and artistic material, but on the degree of devotion to the metaphorical reflection of life. A comprehensive study of social constituting dance art in today's post-pandemic space is a complex and versatile task, it mainly involves the study of all its components. Moreover, each of them should be considered not in isolation, but in the general system of their internal connections - in the aspect of their rhythmic and metric, that is, motor organization.

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“…Elise (2017) This article discusses the choreographic engagement in interplay with the patient, which may provide insights into the expressive and dynamic nature Vivek Velayutham, and Raman K of movement in artistic creation. Buchkivska et al (2021): Their articles delve into the social orientation of postmodern choreographic performance, which may offer perspectives on the interaction between movement, dance, and artistic expression. Tuinen (2017) This book discusses the nature of movement in Gothic, Mannerism, and Baroque art, providing insights into the movement's dynamic and expressive qualities in art history.…”