This article highlights fissures between the disciplines of dance and social sciences in approaching and valuing data and offers creative solutions for dancers and choreographers working collaboratively with scholars and artists in other disciplines. We locate our challenges in our divergent relationships with social science data, using the divergence as a framework for exploring discipline-specific practices as unintended roadblocks in collaborative, transdisciplinary research. We propose that the structure of our collaboration, particularly our unique pairing of dance and social science, and our emergent discoveries have implications beyond our home disciplines and promise to advance the growing enterprise of transdisciplinary collaboration.Keywords: performative social science, transdisiplinary research, dance, social science, methodology Author Note: Funding for this project was provided by the Office of the Vice President for Research, Texas Tech University. The wedding study was funded by a seed grant from the College of Human Sciences, Texas Tech University. The single women research was funded by the Anthony Marchionne Small Grants Program. We would also like to thank Dr. Carl Bagley for his guidance and advice on our project.
International Journal of Qualitative Methods 2014, 13
412In the last several decades, there has been increasing interest in performative social sciencebroadly defined as " … social science researchers who are exploring with the use of tools from the arts in research itself and/or using them to enhance or move beyond … traditional dissemination efforts" (Guiney Yallop, Lopez de Vallejo, & Wright, 2008, p. 1). Performative social science is considered an innovative way to affect change in communities, offers exciting methodological innovations, and compels scholars to closely examine their disciplinary practices and ideologies (Jones et al., 2008). Inspired by said possibilities, the authors (the first author is a choreographer and the second author is a social scientist) embarked on a collaborative, transdisciplinary project between dance (arts) and human development and family studies (social sciences). In our project, the choreographer engaged in a kinesthetic analysis of the social scientist's data, then she and the social scientist further analyzed the choreographer's dances and dialogues (findings) in order to collaboratively design how they would be re-presented to audiences.Neither the choreographer nor the social scientist came to the project with substantial experience in transdisciplinary collaboration, though both of us had worked collaboratively in our own fields. In order to prepare for what we understood would likely be a long and challenging process, we read literature on performative social science, paying particular attention to descriptions of other researchers' roadblocks and impasses (e.g., Bagley 2008). What we found lacking, though, were nuanced and sustained descriptions of the ways researchers moved through (or around, or away from) their conflicts. I...