2011
DOI: 10.1007/s10980-011-9635-x
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Soundscape conservation

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Cited by 149 publications
(91 citation statements)
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References 79 publications
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“…Dumyahn and Pijanowski (2011) argue that soundscapes have value worthy of conservation. Data processing methods have recently been established to characterize sounds from different sources (e.g., biotic, abiotic, and anthropogenic) for acoustic habitat monitoring to detect changes in soundscapes (Merchant et al 2015).…”
Section: Current and Future Applicationsmentioning
confidence: 99%
“…Dumyahn and Pijanowski (2011) argue that soundscapes have value worthy of conservation. Data processing methods have recently been established to characterize sounds from different sources (e.g., biotic, abiotic, and anthropogenic) for acoustic habitat monitoring to detect changes in soundscapes (Merchant et al 2015).…”
Section: Current and Future Applicationsmentioning
confidence: 99%
“…In all these disciplines, soundscape has typically referred to the totality of the sounds occurring at any location within a certain time frame, including those that are biological, geophysical, and anthropic. While the concept of the soundscape was grounded in the early works of Southworth (1969), an environmental psychologist, and Schafer (1994), a musician, it has recently been championed as a means of ecological analysis (Dumyahn and Pijanowski 2011, Pijanowski et al 2011a, 2011b, Farina 2014, Smith and Pijanowski 2014, Lomolino et al 2015. Indeed, acoustic communication is crucial for many organisms to reproduce, feed, defend territories, and avoid predators (Kroodsma 1982, 2005, Templeton and Greene 2007.…”
Section: Résumémentioning
confidence: 99%
“…The use of acoustic tools in biodiversity conservation is not new (Batista and Gaunt, 1997), but it has recently increased, especially as part of the management of large wild areas (Dumyahn and Pijanowski, 2011;Farina, 2014;Laiolo, 2010). There is a growing demand from park managers and local decision-makers to better understand acoustic sampling design and the automated analysis of sound.…”
Section: Introductionmentioning
confidence: 99%