In this paper I examine relationships between multiple semiotic modes used to construct hierarchy, and I show the importance of going beyond our traditional notion of language to look at how social actors employ a range of semiotic resources in organizing and interpreting social relations. Using examples from Pohnpei, Micronesia, I show how notions of superior and inferior are compounded through several sign systems-spatial relations, food sharing, the body, and language. These systems act oppositionally as well as cooperatively to produce situated ideas of social inequality, ideas built out of disequilibrium of bodies in space, of referents in language, and distribution of resources, as well as contradictions in the interactions of these signs. The compounding of signs not only recruits multiple sensory modes and perspectives in the exposition of hierarchical relations, but entails a notion of the contradictory nature of status relations. Using examples from a Pohnpeian feast, I explore the creative interplay of sign systems in the construction of "moments" of hierarchy in a large, public setting and discuss how through the practice of title-giving, which virtually every adult member of the society participates in, a particular idea of social inequality, built out of multiple sign systems, is mapped onto each body, [language, interaction, politics, Oceania, social stratification, hierarchy] P ohnpeians formulate the abstract idea of social inequality with tools from their physical world, including relationships among bodies, topographical relations of sea level and mountain heights, the built environment, cyclical relations of production, and mediated sensory experiences, such as the sounds of spoken language. In this article I investigate a complex of semiotically charged resources that co-incidentally, co-oppositionally, and co-operatively construct relationships of hierarchy in Pohnpei. Language, space, food, and the body work to activate the past as simultaneous within the present and to construct social stratification within a scheme of recurrent but also incipient ideas. Moments of hierarchy in Pohnpei are built not only out of the disparate notions of superior and inferior that are compounded through several sign systems, but out of another sort of disparity-momentary contradictions between those sign systems. Although the latter (contradictions) might seem inconsistent within the conventional practice and reproduction of hierarchy, the contradictions or inversions not only serve as sites for the creative interplay of semiotic systems, but,