2017
DOI: 10.1016/j.heares.2016.10.025
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Spatial and non-spatial multisensory cueing in unilateral cochlear implant users

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Cited by 17 publications
(15 citation statements)
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“…Our stimulation setup allowed the presentation of auditory stimuli both in azimuth and elevation, therefore we have been able to observe different degrees of performance in the two dimensions (see Tables 1S and 2S for cumulative error measurements in all conditions). In the present work, we investigated performance through rms error and signed error, following Hartmann 36 (see also refs 6,37 ). The rms error represents the root mean squared difference between speaker position and subject’s response.…”
Section: Methodsmentioning
confidence: 99%
See 1 more Smart Citation
“…Our stimulation setup allowed the presentation of auditory stimuli both in azimuth and elevation, therefore we have been able to observe different degrees of performance in the two dimensions (see Tables 1S and 2S for cumulative error measurements in all conditions). In the present work, we investigated performance through rms error and signed error, following Hartmann 36 (see also refs 6,37 ). The rms error represents the root mean squared difference between speaker position and subject’s response.…”
Section: Methodsmentioning
confidence: 99%
“…Accurate processing of sound source coordinates is central to our ability to perceive the 3D structure of the surrounding auditory scene 1–3 , discern signal from noise 4 and orient attention in space 5,6 . Sound localisation relies on the interpretation of auditory cues (interaural time and level differences, as well as monaural spectral cues) deriving from the interactions between sound waves, the head and external ears 7,8 .…”
Section: Introductionmentioning
confidence: 99%
“…We used the reaching task developed in our previous work [ 25 ] to train their sound localization. Crucially, before and after this training participants were also tested in two tasks aiming at revealing generalization effects: a head-pointing sound localization task [ 25 ] and an audio-visual attention cueing task [ 26 ]. The head-pointing localization task required to explicitly localize sounds and differed from training in terms of visual scenario (speaker position no longer visible), spatial position of the targets (different azimuths and two different elevation of sound position) and from response demands (pointing with the head instead of reaching with the hand).…”
Section: Introductionmentioning
confidence: 99%
“…The rationale for these changes was to minimize potential carry-over of mere sensorimotor adaptations acquired during the spatial training to the novel auditory task. The audio-visual attention cueing task was instead an implicit sound localization task: unlike head-pointing sound localization participants were never asked to explicitly indicate sound position and sounds only served as lateralized attention-orienting cues for the discrimination of visual targets (i.e., an audio-visual analogue to classic attention cueing paradigms) [ 26 29 ]. This second test was introduced to probe whether adaptation to new auditory cues could also impact audio-visual attention orienting, a skill that can be hampered by monaural listening [ 26 ].…”
Section: Introductionmentioning
confidence: 99%
“…Spatial hearing is fundamental for our interactions with the physical and social environment: it allows detection of events beyond our visual field, efficient re-orienting of multisensory attention ( Pavani et al 2017 ) and auditory scene analysis ( Kerber & Seeber 2012 ; Shinn-Cunningham et al 2017 ). Spatial hearing is three-dimensional, as it allows the estimation of sound directionality (i.e., its position in azimuth and elevation), and distance.…”
Section: Introductionmentioning
confidence: 99%