Speech Genre «author’s Autograph on the Book»

Anastasiya, D Morozova; Irina, Viskova

doi:10.18500/2311-0740-2017-1-15-58-65

Cited by 3 publications

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“…Но есть все-таки едва уловимая семантическая разница между, например, «глубоко уважаемый» -обращением, не менее распространенным в таких случаях, и «многоуважаемый». «Глубокоуважаемый» в каких-то контекстах могло звучать немного подобострастно или, наоборот, иронично 13 Известно, что никакие просьбы, обращенные к нему, Батюшков не оставлял без ответа, даже если бы и исполнение их шло в ущерб его собственному благополучию или комфорту. А о том, что переписка со многими авторами очень быстро переходила из плоскости чисто деловой в общечеловеческую, свидетельствуют и письма его к Короленко, Чехову 16 .…”

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Fyodor Batyushkov and Ivan Bunin. An unknown autograph

Chernysheva¹

2021

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In the Manuscripts and Rare Books Division of the Regional Scientific Library of Saratov State University, an early autograph of Ivan Bunin, which has not yet been introduced in scientific circulation, has been discovered. This is a signed copy of the translation of G. G. Byron’s Manfred published by the “Znanie” Partnership. It is known that Fyodor Batyushkov, holding the post of the editor-in-chief of the magazine Mir Bojiy (The World of God), wrote reviews of the works of authors nominated for the Pushkin Prize.

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Fyodor Batyushkov and Ivan Bunin. An unknown autograph

Chernysheva¹

2021

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“To Dear Deacon Kolya ...”: Newly Found Inscript of Sergey Yesenin

Kudryashov

Pyatkin

2022

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The results of a historical and cultural commentary on a previously unknown inscription by S. A. Yesenin, made by him in 1921 on a piece of paper, which was subsequently pasted into the book “Triptych” (Berlin: Publishing House “Scythians”, 1920), are presented. The scientific study of writers' dedicatory inscriptions as a separate area in domestic literary criticism is currently at the stage of its formation, which determines the relevance of the proposed study. It is proved that the addressee of Yesenin's dedication inscription is his elder friend and mentor in poetry Nikolai Alekseevich Klyuev (1884—1937) and it was made by the poet in December 1921 simultaneously with a short letter also addressed to Klyuev after a twoyear break in their creative communication. It is pointed out that Klyuev’s nickname “deacon Kolya” in Yesenin's script does not have negative connotations and serves as a playful, gentle definition of Klyuev’s mentoring role in Yesenin's poetic fate. An analysis of the structural and semantic connections of Yesenin's texts of the dedicatory inscription and letter makes it possible to establish that the inscription contains an implicit personal message for the renewal of former friendly relations between poets who have drifted away from each other due to creative differences. On the basis of Klyuev's reply message from Vytegra (January 28, 1922), it was established that Yesenin, at the end of December 1921, along with a letter, gave him his new books (including the “Triptych” containing poems of 1917) through Nikolai Ilyich Arkhipov (1887—1967) (a Vytegorsk acquaintance of Klyuev), who came to Moscow as a delegate to the IX All-Russian Congress of Soviets (December 23—28, 1921). It is put forward and substantiated that Yesenin, not being able to make a dedication to Klyuev on the book, sent an autographed sheet with Arkhipov for its subsequent pasting into the book. The authors of the article do not rule out that the pasting of Yesenin's inscription on the title page of the Berlin edition may have a later character. However, even so, it has an undoubted symbolic meaning, appealing to the Scythian philosophy, which united the poets in 1915—1917, being one of the signs of their spiritual kinship, the feeling of which Yesenin will carry through his entire creative life.

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Manifestations of Natural Written Speech: Inscriptions on Photos

Krasovskaya,

Kositsina

2022

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The main purpose of this article is to consider certain genres of natural writing. The very concept of “natural written speech” at the present time has not received a complete and comprehensive interpretation. However, there are fewer examples of it today. In part, the disappearance of the genres of natural writing is associated with the onset of the digital era, when people stopped writing physical letters and notes, ceased making notes for themselves, and no longer annotated and signed photographs. Many genres of writing are capable of giving an idea of the writer in the same way as the varieties of oral speech. In natural written speech, some features of personality and linguistic personality are manifested. The aim of the research, presented in the article, is to analyse inscriptions on photographs from the viewpoint of their lexis, punctuation, and graphical layout to define the chronotope and personal characteristics of the authors of this genre of written discourse. The focus is on the linguistic means of inscriptions on photos, i. e., the graphic, lexical, derivational and other features. In the process of analysing the inscriptions, the main varieties of this genre were identified: inscriptions made as a memento; inscriptions that represent the definition of an event or time and place; inscriptions made to convey information to close relatives, etc. In addition, the inscriptions on photographs can be classified by keywords, if possible, determining the chronotope, by the use of graphic means, by the location of the inscription itself in the photograph. To a certain extent, the inscriptions made on photographs reflect the personality traits of a person. The analysis shows that inscriptions on photographs were a forerunner of sorts of personal pages on Instagram.

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Speech Genre «author’s Autograph on the Book»

Cited by 3 publications

References 1 publication

Fyodor Batyushkov and Ivan Bunin. An unknown autograph

Fyodor Batyushkov and Ivan Bunin. An unknown autograph

“To Dear Deacon Kolya ...”: Newly Found Inscript of Sergey Yesenin

Manifestations of Natural Written Speech: Inscriptions on Photos

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