2017
DOI: 10.1016/j.heares.2017.02.006
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Speech-in-noise perception in musicians: A review

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Cited by 131 publications
(122 citation statements)
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“…This accords with the latency of the frequency-following response to a pure tone as well as with previously reported latencies of the brainstem response to short speech tokens, and evidences a subcortical origin 50,64 . Although recent MEG and EEG investigations have found that the frequency-following response (FFR) as well as neural responses to the temporal fine structure of speech can also have cortical contributions, we have not observed an additional peak in the brainstem response at a longer latency 65,66 . Such a cortical contribution may nonetheless be present but not measurable in our experiments due to a dominant contribution from the brainstem and due to the relatively broad autocorrelation of the fundamental waveform that limits the temporal resolution and thereby the identification of different components of the neural response 30 .…”
Section: Discussioncontrasting
confidence: 91%
“…This accords with the latency of the frequency-following response to a pure tone as well as with previously reported latencies of the brainstem response to short speech tokens, and evidences a subcortical origin 50,64 . Although recent MEG and EEG investigations have found that the frequency-following response (FFR) as well as neural responses to the temporal fine structure of speech can also have cortical contributions, we have not observed an additional peak in the brainstem response at a longer latency 65,66 . Such a cortical contribution may nonetheless be present but not measurable in our experiments due to a dominant contribution from the brainstem and due to the relatively broad autocorrelation of the fundamental waveform that limits the temporal resolution and thereby the identification of different components of the neural response 30 .…”
Section: Discussioncontrasting
confidence: 91%
“…A second goal of this study was to investigate transfer of musical training to the perception of speech in complex environments. There have been many reports of a musician advantage for speech perception in speech maskers (Baskent and Gaudrain, 2016;Clayton et al, 2016;Deroche et al, 2017;Du and Zatorre, 2017;Meha-Bettison et al, 2017;Morse-Fortier et al, 2017;Parbery-Clark et al, 2009;Slater and Kraus, 2016;Swaminathan et al, 2015;Yeend et al, 2017;Zendel and Alain, 2012; for a review see Coffey et al, 2017).…”
Section: Introductionmentioning
confidence: 99%
“…Generalized perceptual improvements need not be limited to the visual modality. A history of musical training has been associated with a wide-range of enhanced auditory perceptual abilities, ranging from low-level feature discrimination to speech processing in noise [2427], although, like action video games, the mechanisms driving these improvements are not fully understood [20,28,29]. Here we ask whether some of the challenges inherent to playing musical instruments or action video games could be packaged into a computerized audiomotor training interface to promote the generalized gains in speech processing that have proven elusive in prior auditory training studies [17].…”
Section: Introductionmentioning
confidence: 99%