1993
DOI: 10.2307/295422
|View full text |Cite
|
Sign up to set email alerts
|

Spinning and Weaving: Ideas of Domestic Order in Homer

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1

Citation Types

0
4
0
5

Year Published

2011
2011
2023
2023

Publication Types

Select...
5
4

Relationship

0
9

Authors

Journals

citations
Cited by 29 publications
(9 citation statements)
references
References 4 publications
0
4
0
5
Order By: Relevance
“…In the Agamemnon, by contrast, Clytemnestra weaves a red carpet for Agamemnon's arrival but does not embed her family history into the fabric, creating instead an artifact of her bloody triumph paralleled by her axe. Andromache's weaving strives to secure her own family's safety, as Wodzak (1998) and Pantelia (1993) argue. As a reflection of the balance between masculine governance and feminine domesticity, Pantelia claims that "Andromache's weaving, simultaneous with Hector's defense of Troy, expresses her hope that if she takes care of her duties, Hector's political and military success will also continue" (1993, p. 496).…”
Section: Helen Weaving History: Storytelling Through Clothmentioning
confidence: 99%
“…In the Agamemnon, by contrast, Clytemnestra weaves a red carpet for Agamemnon's arrival but does not embed her family history into the fabric, creating instead an artifact of her bloody triumph paralleled by her axe. Andromache's weaving strives to secure her own family's safety, as Wodzak (1998) and Pantelia (1993) argue. As a reflection of the balance between masculine governance and feminine domesticity, Pantelia claims that "Andromache's weaving, simultaneous with Hector's defense of Troy, expresses her hope that if she takes care of her duties, Hector's political and military success will also continue" (1993, p. 496).…”
Section: Helen Weaving History: Storytelling Through Clothmentioning
confidence: 99%
“…It is assumed that he used non-extant Hellenistic texts, such as compendia 27 On the connection between weaving and femininity in antiquity, see e.g. Bergren 1983, 71-73;Pantelia 1993;Pomeroy 1994,61-65. 28 The thought expressed by Gilhus (2006,72) in reference to Aelian and Pliny.…”
Section: Plutarch's Kingfisher and The Pseudo-platonic Halcyonmentioning
confidence: 99%
“…For a recent study see I.Petrovic 2016. 7 The corpus of songs is comprised of a number of 'Cycles': the most prominent are the Kosovo cycle (with which this chapter is concerned), the heroic Marko cycle, fifteenth-to nineteenth-century songs about outlaws and border raiders, and a later surge of new material following the first Serbian uprising in 1804.8 See for instanceSnyder 1981, Pantelia 1993, Scheid and Svenbro 1996, Clayton 2004and Mueller 2010 On gender roles in Iliad 6 see esp. ArthurKatz 1981, Graziosi and Haubold 2010: 29-32.…”
mentioning
confidence: 99%