2005
DOI: 10.3138/md.48.4.689
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Stage as Hyperspace: Theatricality of Stoppard

Abstract: Most of Tom Stoppard’s critics have tried to assess his greatness in terms of his conserving and developing the tradition of British high comedy. Thus, his Arcadia (1993) has been largely acknowledged as the best of high comedy, with “a quality of high Englishness” (Kelly, Introduction 17). In fact, as a major British playwright, he has experimented with dramatic strategies to lure his audience into a series of critical engagements with British politics and culture. As for his politics, critics have argued tha… Show more

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