1999
DOI: 10.1076/jnmr.28.2.150.3115
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Statistical Learning of Harmonic Movement

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Cited by 53 publications
(33 citation statements)
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“…N-gram and multiple-viewpoint methods have proven powerful for melodic prediction (Conklin and Witten, 1995;Pearce andWiggins, 2004, 2006), key region prediction (Rohrmeier, 2007b), melodic and vertical voice-leading patterns (Conklin and Anagnostopoulou, 2001;Conklin, 2002Conklin, , 2010 as well as in initial results for harmonic prediction (Ponsford et al, 1999;Whorley et al, 2010). As cognitive model, IDyOM has further been evaluated with a series of experimental results.…”
Section: N-gram Modelsmentioning
confidence: 97%
See 1 more Smart Citation
“…N-gram and multiple-viewpoint methods have proven powerful for melodic prediction (Conklin and Witten, 1995;Pearce andWiggins, 2004, 2006), key region prediction (Rohrmeier, 2007b), melodic and vertical voice-leading patterns (Conklin and Anagnostopoulou, 2001;Conklin, 2002Conklin, , 2010 as well as in initial results for harmonic prediction (Ponsford et al, 1999;Whorley et al, 2010). As cognitive model, IDyOM has further been evaluated with a series of experimental results.…”
Section: N-gram Modelsmentioning
confidence: 97%
“…N-gram models have been successfully applied for modelling the prediction of melody (Pearce and Wiggins, 2006) as well as harmony (Ponsford et al, 1999;Whorley et al, 2010). N-gram models entail a generalisation that hand-crafted models such as pitch profiles (Krumhansl, 1990), for instance, are revealed to be a special case of unigram models (with a zero-length context, i.e.…”
Section: N-gram Modelsmentioning
confidence: 99%
“…For example, Ponsford et al (1999) used a corpus of sarabande pieces (relatively simple dance music) to generate new compositions using Markov models 20 , but with a pre-processing stage to automatically annotate the compositions of the corpus with symbols to make explicit their structure, and a post-processing stage using a template to constrain the structure of the synthesized composition, in order to generate minimally acceptable results. Another way is the hybridization of Markov chains with other methods.…”
Section: Markov Chains and Related Methodsmentioning
confidence: 99%
“…This is demonstrated by a study of harmonic structure using a corpus of seventeenth century dance music [73]: an n-gram model taking into account three-beat metrical structure (and representing each beat by one symbol) seems to favour 4-grams. This is probably because the first beat of a bar is more musically salient than the other two, in harmonic terms, and a 4-gram is able to directly capture at least some of this importance, in this representation, where a 3-gram necessarily cannot.…”
Section: Shannon's N-gramsmentioning
confidence: 99%
“…[55,56]). In particular, general n-th order Markov models have been proposed for melody and harmony [39][40][41][42][73][74][75] and employed for segmentation and boundary entropy detection [76]. In practical, ecological contexts, it is a common finding that n-gram models with large values of the context length n result in suboptimal models owing to sparsity issues or overfitting.…”
Section: Shannon's N-gramsmentioning
confidence: 99%