2002
DOI: 10.1002/0471214426
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Stevens' Handbook of Experimental Psychology

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Cited by 236 publications
(3 citation statements)
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“…The analyses that follow were based on a random effects model, which allows broader generalization than the fixed effect model (Lipsey & Wilson, 2001). In this procedure (R. Rosenthal, personal communications, January, 2016; Rosenthal & DiMatteo, 2002), countries serve as the units of analysis and are weighted equally. For each country, we calculated effect sizes (hedges’s g ) of the gender difference in life satisfaction, positive affect, and negative affect; higher scores indicate that males scored higher than females on the particular variable.…”
Section: Resultsmentioning
confidence: 99%
“…The analyses that follow were based on a random effects model, which allows broader generalization than the fixed effect model (Lipsey & Wilson, 2001). In this procedure (R. Rosenthal, personal communications, January, 2016; Rosenthal & DiMatteo, 2002), countries serve as the units of analysis and are weighted equally. For each country, we calculated effect sizes (hedges’s g ) of the gender difference in life satisfaction, positive affect, and negative affect; higher scores indicate that males scored higher than females on the particular variable.…”
Section: Resultsmentioning
confidence: 99%
“…The Response Time (RT, i.e., the elapsed time from stimulus onset to the response) was only estimated for correct responses in all experimental conditions. To obtain a robust estimate of the characteristic RT for each individual in each condition, we calculated the mean RT after trimming the highest and lowest RT values (10% at each end) (Zandt, 2002, Ratcliff, 1993, Wilcox and Keselman, 2003). For completeness, the untrimmed RTs are reported in Supplementary Table s7).…”
Section: Methodsmentioning
confidence: 99%
“…These processes include auditory memory and extend to stimulating pre-motor representations of action (Koelsch, 2011). Music cognition is the area of research involved in determining the cortical processes underlying music perception (Justus & Bharucha, 2002). Predictably, musicians, through their training, have developed more efficient cortical mechanisms to subserve these processes.…”
Section: Introductionmentioning
confidence: 99%