1970
DOI: 10.2307/956260
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Stockhausen and Development

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“…Prozession, described by Roger Smalley (1970) as "probably the most significant score of the last decade", formalised the plus/minus notation that was to feature in several works of this period and remained conceptually influential on the development of Gehlhaar's organisation of the new instruments he invented: "The score … consists almost entirely of various combinations of +, -, and = signs, stacked in orderly rows …" (Gehlhaar, 1998b, p. 55). Smalley (1970) illustrated the efficacy of the technique by employing it to transcribe a passage of Beethoven. Source material ("events") to which these transformative processes were to be applied were drawn by the performers from their personal selection within Stockhausen's existing output.…”
Section: Education Early Career and Achievementsmentioning
confidence: 99%
“…Prozession, described by Roger Smalley (1970) as "probably the most significant score of the last decade", formalised the plus/minus notation that was to feature in several works of this period and remained conceptually influential on the development of Gehlhaar's organisation of the new instruments he invented: "The score … consists almost entirely of various combinations of +, -, and = signs, stacked in orderly rows …" (Gehlhaar, 1998b, p. 55). Smalley (1970) illustrated the efficacy of the technique by employing it to transcribe a passage of Beethoven. Source material ("events") to which these transformative processes were to be applied were drawn by the performers from their personal selection within Stockhausen's existing output.…”
Section: Education Early Career and Achievementsmentioning
confidence: 99%