Abstract:As a contribution to the recent call for the study of the figure of the stranger in African spaces (Ikhane, 2020), this article examines the first half of NoViolet Bulawayo’s We Need New Names (2013). The main reason for this, it is argued, is that the description of the protagonist’s pre-migratory living conditions throughout this part of the narrative reveals a Zimbabwean nation in which the necropolitics resulting from the failures of decolonisation have turned certain segments of the population into strang… Show more
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