Street Art-Karrieren

Collaborative Innovating – The Potential of Street Art to Shape Spaces

“…Structural holes (Burt, 1992) not only foster innovativeness as a whole because of heterogeneous, interpersonal exchange, but also facilitate collaborative innovating. In the example of street art, this particular genre has a big impact on the art scene in general, as the popularity of artists like Basquiat or Haring indicate (McAuliffe, 2012;Derwanz, 2014). Blek le Rat occupied a bridging position between different social classes as well as between contemporary and classical art.…”

“…This partly strips street art of its 'street cred', and its anarchic roots and reputation. This commercialisation also enriches the network around street art and disseminates new ideas and styles (Derwanz, 2014;Bengtsen, 2013).…”

“…One may argue as to whether communication about street art without a known geographic reference (e.g. by sharing photos of street art on the web, via blog sites or other social media (Derwanz, 2014)) should itself still be understood as geomedia, as this de-localises and de-contextualises street art. However, many forms of representation consciously create links between street art and spaces.…”

“…By sharing ideas, messages and designs on the web, these are transported even further, sometimes becoming part of a (global) pop culture or of the art market. Street art is thus embedded in networks (Bengtsen, 2013;Derwanz, 2014). Since street art is often shared, by being linked to creative ways of communicating, it can be regarded as innovation because of the combination of deviant appropriation of space(s), transgression, creativity and implementation (McAuliffe, 2012).…”

Qu’est-ce que le Street art ? Essai et discussion des définitions

“…Tant les degrés que la qualité de site-specificity de l'oeuvre peuvent changer au cours de la « vie d'étagère » de l'oeuvre de rue. Cette dernière peut se référer à un certain mur, mais aussi à une certaine zone, rue, ville, pays ou toutes ces catégories ensemble.L'aspect performatif du Street artDerwanz attire l'attention à l'aspect performatif de la peinture murale (légale) ou de l'art sur le sol, qu'elle n'attribue pas au Street art38 . Même s'il est très rare d'assister à la performance, à la mise en place souvent spectaculaire du Street art, je vois, comme l'indiqueWaclawek (2008), un élément performatif intégré dans chaque oeuvre de Street art.…”