Strukturasi proses produksi film horor Pengabdi Setan: Perspektif ekonomi politik

Wahid, Umaimah; Agustina, Shena

doi:10.24198/ptvf.v5i1.25601

Cited by 3 publications

(3 citation statements)

References 5 publications

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“…In an extension of Creed's opinion, horror films can also be seen as a tool of social control since, within the narrative, it reflects certain gender ideology, especially in Malay society (Wahid & Agustina, 2021). So, in the case of the films studied, the horror film on the subject Based on these two films, the article will elaborate on how the concept of space uses to…”

Section: Methodsmentioning

confidence: 99%

Analyzing monstrous maternal in “Jendela” and “A Mother’s Love” interior mise-en-scene

Widyaevan

2023

PTVF

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Background: The storytelling and narrative approaches surpassed the study of the interior and cinematic by the idea of staging. In film production, the use of interior elements to aid storytelling is called interior mise-en-scene. However, more research still needs to be done on how spatial metaphors in the interior mise-en-scene are explored. The spatial metaphor is central to creating atmosphere and setting based on film narratives. Therefore, this article examines a spatial metaphor in the horror film mise-en-scene, focusing on monstrous maternity. The case studies are the film ‘A Mother’s love’ (Joko Anwar, Indonesia) and ‘Jendela’ (M. Subash Abdullah, Malaysia). Both films portray the woman protagonist as a psychotic character who haunts their own house. Purpose: The article aims to find spatial metaphors to represent the idea of monstrous maternal as a horror motif. Methods: Through qualitative and literature review, the element of the interior mise-en-scene and abjection theory has been analyzed to find meaning in spatial language. Results: As a result, the spatial metaphor in the film portrays the idea of topo analysis- the topography of the intimate being in the house. Many spaces are composed in dream scene situation, and the use of liminal space become central to supernatural narratives. A distorted play camera frames the space, engaging the audience to enter the character’s mind. Implications: This research contributes to how spatial metaphor in film can aid storytelling in interior design. The interior mise-en-scene helps the designer translate the narrative’s text into a spatial dimension through the staging technique.

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Section: Methodsmentioning

confidence: 99%

Analyzing monstrous maternal in “Jendela” and “A Mother’s Love” interior mise-en-scene

Widyaevan

2023

PTVF

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“…Basically, studies on ghost-and-mystery stories in Indonesia are enormous but still majorly focused on movies and television programmes (Ayun, 2015;Downes, 2014;Herawati, 2011;Ismail & Wenerda, 2021;Karunianingsih, 2016;Larasati & Wahid, 2020;Lasty, 2020;Muthmainnah & Syas, 2020;Noer, 2021;Pangastuti, 2019;Permatasari & Widisanti, 2019;Wahid & Agustina, 2021;Windiasih et al, 2013). These studies mostly pay attention to how Indonesian horror movies commodify women's bodies and represent sensuality (Annissa & Adiprasetio, 2022;Ayun, 2015;Herawati, 2011;Karunianingsih, 2016;Larasati & Wahid, 2020;Pangastuti, 2019;Windiasih et al, 2013).…”

Section: Introductionmentioning

confidence: 99%

When Journalism Produces Horror Story: The Case of the INSENTIF Podcast by Tirto.id

Razali

Wirawan²

2023

JURKOM

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TThis research aims to investigate the production of horror contents in the INSENTIF podcast channel by Tirto.id, an Indonesian online news media. When journalistic media are involved in the production of ghost stories and mystery, it raises concerns about journalistic basic principles of providing verified information. To understand this phenomenon, we conducted a qualitative case study and interviewed three key informants from the INSENTIF production team. Using Giddens’ structuration theory as an analysis framework, we identify that the INSENTIF production crews still perceive their routine as part of journalistic works. In writing the script, they strive to rely on credible sources and actualise the discipline of verification although they admit that they insert some fictional horrific scenarios at the beginning of each episode as well. Thus, they mention a disclaimer, explaining that their journalism practice, specifically on horror episodes, is not the same as the regular Tirto.id’s standard journalism. This research argues that the agents, in this case, seem to follow and reproduce the existing structure, rather than resist it.

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“…The production process is co-opted by the values that bind the Indonesian film structure, especially in filmmaking. The film Pengabdi Setan (See Figure 1) has been able to create public awareness of the reality of film content as a direct representation of society bound by the structure in which films are produced (Wahid & Agustina, 2021). From that previous research, music scoring on a film could also become a representation of one's ideology.…”

Section: Introductionmentioning

confidence: 99%

Diegetic and nondiegetic sounds in film scoring of Pengabdi Setan film

Alam,

Permana,

Indriani

2023

PTVF

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Background: This research examines the 2017 film Pengabdi Setan scoring function. Joko Anwar wrote and directed the film Pengabdi Setan, released on September 28, 2017. This film is a remake of a 1980 film of the same name. In this film, the score is essential for visually confirming symbols or incomplete messages. There are two types of sound: diegetic sound and non-diegetic sound. Purpose: This research aims to determine how diegetic and non-diegetic sound were used to create a horror atmosphere in the film Pengabdi Setan. Methods: The authors described the audio analysis results in the form of diegetic and non-diegetic sounds using a qualitative descriptive analysis. Documented assessment and observation were employed as data collection techniques. Results: The results indicate that infrasonic sound (infrasound) and sub-bass frequencies in the form of non-diegetic sounds emotionally impact audiences. The typical frequency is 31 Hz, and although it is inaudible to the human ear, the audience can sense the vibrations of this frequency. This frequency can typically only be perceived as a “chest rumble.” In general, both diegetic and non-diegetic sounds in the film Pengabdi Setan contribute to completing the defective message symbol. The combination of infrasonic sound effects, sub-bass, and musical composition validates the visual messages or symbols. Implications: This research can theoretically serve as a resource for future researchers interested in studying diegetic and non-diegetic sound in film. Directors and cinema sound engineers can use this research to construct diegetic and non-diegetic sound in their films, particularly horror films.

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Strukturasi proses produksi film horor Pengabdi Setan: Perspektif ekonomi politik

Cited by 3 publications

References 5 publications

Analyzing monstrous maternal in “Jendela” and “A Mother’s Love” interior mise-en-scene

Analyzing monstrous maternal in “Jendela” and “A Mother’s Love” interior mise-en-scene

When Journalism Produces Horror Story: The Case of the INSENTIF Podcast by Tirto.id

Diegetic and nondiegetic sounds in film scoring of Pengabdi Setan film

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