Abstract:Stuart Hall's form of choice was always the essay: a genre compressed enough for serious elaboration of an argument and yet also suited to an analysis of the 'conjuncture', a defining category he took from Louis Althusser and deployed throughout his life. Hall's place in the pantheon of leftists who emerged in the post-war period is thus peculiar. For most of his British contemporaries, the full-length monograph or book allowed extended elaborations emerging from their particular theoretical apparatuses (thus … Show more
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