2011
DOI: 10.1093/cdj/bsr009
|View full text |Cite
|
Sign up to set email alerts
|

Stuck in the middle? Community development, community engagement and the dangerous business of learning for democracy

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1
1

Citation Types

0
20
0

Year Published

2012
2012
2024
2024

Publication Types

Select...
8
1

Relationship

0
9

Authors

Journals

citations
Cited by 18 publications
(20 citation statements)
references
References 16 publications
0
20
0
Order By: Relevance
“…To Shaw (2011), this role generates ‘the conditions in which people might begin to make the necessary connections between their personal experience and the wider context’ (p. 16), something that is in stark contrast to the aforementioned critique on the complex codes that practitioners are perceived to enshrine in art and cultural work. Considering that practitioners may even have their names and involvement played down under given circumstances (Harding, 1998: 12), or are compelled to ‘hide’ or to practise self-censorship (Lowe, 2014: 21–22), Schwarz (2013) adds a vital dimension of co-authorship to the crucial, facilitative role that practitioners play which [i]nvolves an artist working with participants to undertake a shared creative journey, for which the artist provides initial inspiration, and acts as a facilitator to enable participants to explore their own creative ideas and life experiences.…”
Section: Discussion and Analysis: Practitioners Have Their Saymentioning
confidence: 99%
“…To Shaw (2011), this role generates ‘the conditions in which people might begin to make the necessary connections between their personal experience and the wider context’ (p. 16), something that is in stark contrast to the aforementioned critique on the complex codes that practitioners are perceived to enshrine in art and cultural work. Considering that practitioners may even have their names and involvement played down under given circumstances (Harding, 1998: 12), or are compelled to ‘hide’ or to practise self-censorship (Lowe, 2014: 21–22), Schwarz (2013) adds a vital dimension of co-authorship to the crucial, facilitative role that practitioners play which [i]nvolves an artist working with participants to undertake a shared creative journey, for which the artist provides initial inspiration, and acts as a facilitator to enable participants to explore their own creative ideas and life experiences.…”
Section: Discussion and Analysis: Practitioners Have Their Saymentioning
confidence: 99%
“…This fascinating statement encapsulates, to some degree, the spirit of a compromised participation process: it was not necessarily meant to accomplish the outcomes discussed. It stands in the service of opaque goals, a performance that likely confuses even some of those recommending or producing it [ 30 , 38 ]. As a result, our hope with this work is to make some contribution to the legibility of ad hoc, urban participation processes in neoliberal contexts.…”
Section: Discussionmentioning
confidence: 99%
“…Third, community development seeks to connect people’s problems with economic, political and social structures. It is interested not only in what people and communities can change by themselves but also in achieving the necessary structural changes (Emejulu, 2015; Ledwith, 2011; Shaw, 2011). Conflict resolution, by contrast, is mostly focussed on individual disputants.…”
Section: Potential Implications For Community Development Practicementioning
confidence: 99%