1948
DOI: 10.1037/h0063246
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Studies of tracking behavior. II. The acceleration pattern of quick manual corrective responses.

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Cited by 51 publications
(16 citation statements)
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“…It has already been noticed from previous experimental studies on skilled movements that in many voluntary motor acts the subjects varied the speed of movement with amplitude to keep the duration relatively constant (Searle and Taylor, 1948;Taylor and Birmingham, 1948;Annett et al, 1958;Johns and Draper, 1964). Similar observations were made by Katz (1948) when measuring the time required for automatic fast writing movements of different amplitude.…”
Section: Discussionmentioning
confidence: 99%
“…It has already been noticed from previous experimental studies on skilled movements that in many voluntary motor acts the subjects varied the speed of movement with amplitude to keep the duration relatively constant (Searle and Taylor, 1948;Taylor and Birmingham, 1948;Annett et al, 1958;Johns and Draper, 1964). Similar observations were made by Katz (1948) when measuring the time required for automatic fast writing movements of different amplitude.…”
Section: Discussionmentioning
confidence: 99%
“…Manifested in the multi-peaked velocity profiles, submovements have been described for pursuit tracking (Hick 1948;Miall et al 1986Miall et al , 1988Noble et al 1955;Searle and Taylor 1948;Taylor and Birmingham 1948;Vince 1948), reaching (Meyer et al 1982), interception of moving targets (Lee et al 1997), pointing (Fitts 1954), rapid hand movements (Novak et al 2000(Novak et al , 2002, and drawing (Massey et al 1992). Submovements characterize both human and nonhuman primate limb movements (Miall et al 1986).…”
Section: Introductionmentioning
confidence: 99%
“…Two early papers are Searle and Taylor (1948) and Taylor and Birmingham (1948), and new research and methods are reported in Walls and Schafer (2006) and Chow, Ferrer and Nesselroade (in press). Sliders have been used in music cognition by Madsen and Fredrickson (1993) and by Vines, Krumhansl, Wanderley and Levitin (2006) to record continuous judgements of tension and of phrasing in a musical performance.…”
Section: Introductionmentioning
confidence: 96%