In the experiments reported here, we attempted to find out more about how the auditory system is able to separate two simultaneous harmonic sounds. Previous research (Halikia & Bregman, 1984a, 1984bScheffers, 1983a) had indicated that a difference in fundamental frequency (FO) between two simultaneous vowel sounds improves their separate identification. In the present experiments, we looked at the effect ofFOs that changed as a function of time. In Experiment 1, pairs of unfiltered or filtered pulse trains were used. Some were steady-state, and others had gliding FOs; different FO separations were also used. The subjects had to indicate whether they had heard one or two sounds. The results showed that increased FO differences and gliding FOs facilitated the perceptual separation of simultaneous sounds. In Experiments 2 and 3, simultaneous synthesized vowels were used on frequency contours that were steady-state, gliding in parallel (parallel glides), or gliding in opposite directions (crossing glides). The results showed that crossing glides led to significantly better vowel identification than did steady-state FOs. Also, in certain cases, crossing glides were more effective than parallel glides. The superior effect of the crossing glides could be due to the common frequency modulation of the harmonics within each component of the vowel pair and the consequent decorrelation of the harmonics between the two simultaneous vowels.In most natural listening situations, at any given moment, the vibrations of our eardrums are the result of several sound sources active at the same time. In such cases, the auditory system is faced with the problem of separating the pattern of superimposed sounds into individual subsets of components that correspond to the separate sound sources. Otherwise, nonveridical percepts will be formed, in each of which some of the properties of the perceived sound will derive from one acoustic source, while others will derive from other sources.The present experiments were designed to examine the effects of two types of grouping cues on the perceptual fusing of certain parts of a spectrum with one another. One of these was the "FO" cue: The spectrum contains partials that can be grouped into two subsets by virtue of the fact that each subset contains the harmonics of a different fundamental (FO). The second was the "common fate" cue: When a set of harmonics of the same FO This article is based on research that formed part of a PhD dissertation, submitted to McGill University by M. H. Halikia (now spelled Chalikia) in 1985. The research was supported by the Natural Sciences and Engineering Research Council of Canada, through a grant awarded to A. S. Bregman. We wish to thankS. McAdams, V. Ciocca, B. Roberts, and two anonymous reviewers for their helpful comments on an earlier version of the manuscript. M. H. Chalikia is now in the Department of Psychology, University of Wisconsin-Milwaukee, P.O. Box 413, Milwaukee, WI 53201. Requests for reprints should be sent to Albert S. Bregman,