2013
DOI: 10.1016/j.lcsi.2013.04.004
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Surviving the impossible: Studying students' constructions of digital stories on World War II

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Cited by 12 publications
(4 citation statements)
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“…Because of this, there has been an increasing interest in how to develop supportive assessment practices in school projects that involve the production of multimodal texts (Kalantzis, Cope, & Harvey, 2003). During the last decade, quite a few empirical studies that address how assessment is enacted in the context of multimodal composition have emerged (Aagaard & Lund, 2013;Adsanatham, 2012;Boston, Cohn, McKittrick, & Snead, 2014;Godhe, 2013;Jewitt, 2003;Silseth, 2013;Towndrow et al, 2013;Vincent, 2006). In a well-cited study in this field, Jewitt (2003) examines the use of multimodal resources in a science classroom and finds that 'diagrams, drawings, and three-dimensional models are all brought into the learning of science, and at the same time, as far as the teacher is concerned, these stand apart from the process of assessment' (p. 98).…”
Section: Assessment and Multimodal Compositionmentioning
confidence: 99%
“…Because of this, there has been an increasing interest in how to develop supportive assessment practices in school projects that involve the production of multimodal texts (Kalantzis, Cope, & Harvey, 2003). During the last decade, quite a few empirical studies that address how assessment is enacted in the context of multimodal composition have emerged (Aagaard & Lund, 2013;Adsanatham, 2012;Boston, Cohn, McKittrick, & Snead, 2014;Godhe, 2013;Jewitt, 2003;Silseth, 2013;Towndrow et al, 2013;Vincent, 2006). In a well-cited study in this field, Jewitt (2003) examines the use of multimodal resources in a science classroom and finds that 'diagrams, drawings, and three-dimensional models are all brought into the learning of science, and at the same time, as far as the teacher is concerned, these stand apart from the process of assessment' (p. 98).…”
Section: Assessment and Multimodal Compositionmentioning
confidence: 99%
“…Currently, DST is a popular approach for integrating ICT in education (Niemi et al, 2014;Sadik, 2008). In Norway, most studies on DST in education have focused on pupils' (Silseth, 2013) and teachers' use of DST in school (Aagaard, 2014). However, no studies have examined the use of DST as a method in Norwegian teacher education with secondary school 2 student teachers in subject didactics such as ESL.…”
Section: Introductionmentioning
confidence: 99%
“…The voice in a DS allows the audience to feel emotion (Romero‐Ivanova et al, 2021). Voice is an important emotional element of DSs that contributes greatly to the personal dimension (Silseth, 2013). DSs convey emotions and evoke many emotions in the audience through digital story components, particularly the storytellers' tone of voice and choices of music and image which enabled a deeper understanding of the storytellers' experience (Choi, 2018; Kim et al, 2021; Kim & Li, 2021; Olitsky et al, 2020; Ramírez Verdugo & Alonso Belmonte, 2007; Romero‐Ivanova et al, 2021; Sljivic et al, 2022).…”
Section: Resultsmentioning
confidence: 99%