2013
DOI: 10.1080/14680777.2012.678076
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“Susie Bubble is a Sign of The Times”

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Cited by 24 publications
(9 citation statements)
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“…In varying ways, they have utilized the open accessibility of blogging to reclaim control over the imaging of black subjects and black style in fashion-related imagery. Despite this, as Pham (2012) states, African-American fashion bloggers with largely successful fashion blogs "do not receive nearly the same levels of national and global attention conferred on some of their White and Asian English speaking counterparts" (p. 10) and have yet to be widely recognized by the fashion media. 5 This, as Pham notes again, brings into question the mythology and "popular rhetoric about the digital democratization of fashion media" (2012, p. 10).…”
Section: Advent Of the "Fashion" Blogospherementioning
confidence: 99%
“…In varying ways, they have utilized the open accessibility of blogging to reclaim control over the imaging of black subjects and black style in fashion-related imagery. Despite this, as Pham (2012) states, African-American fashion bloggers with largely successful fashion blogs "do not receive nearly the same levels of national and global attention conferred on some of their White and Asian English speaking counterparts" (p. 10) and have yet to be widely recognized by the fashion media. 5 This, as Pham notes again, brings into question the mythology and "popular rhetoric about the digital democratization of fashion media" (2012, p. 10).…”
Section: Advent Of the "Fashion" Blogospherementioning
confidence: 99%
“…Given the visual based free access nature, fashion blog has become a popular platform nurturing numerous fashion lovers, mostly teenagers, to express their identities, tastes, sharing of their fashion photos, and giving them the opportunity to act as 'citizen journalists' (Pham, 2013, Huffaker andCalvert, 2005). A few of these teenagers such as Susie Bubble, Bryant Boy, had turned from ordinary teenagers to internationally renowned fashion celebrities and key opinion leaders (KOL) (Griffith, 2011;Pham, 2013;Rocamora, 2013). Fashion blogs changed fashion leadership of trend diffusion, consumers' response to fashion images, and perception on individual fashion image creators (Pederson, 2011).…”
Section: Fashion Blogging As the New Digital Culturementioning
confidence: 99%
“…This lent them "an alternative feel," with their authors having little connection with the fashion industry. This changed around 2008 when the traditional fashion press started reporting more systematically on fashion blogs whilst some bloggers also developed various collaborations with titles such as Dazed & Confused (Susie Lau of Style Bubble) and American Vogue (Jane Aldridge of Sea of Shoes) (see also Pham 2013). Blogging increasingly revealed itself as a source of potential income with bloggers also collaborating with a range of fashion brands.…”
mentioning
confidence: 93%
“…Thus, researchers have engaged with fashion blogs to discuss issues such as race (Pham 2011(Pham , 2013, religion (Lewis 2013), teenage-hood (Chittendon 2010), femininity (Rocamora 2011), body size (Connell 2013), as well as global neoliberal capitalism (Luvaas 2013), whilst also engaging with wider discussions on contemporary digital practices such as hypertextuality and remediation (Rocamora 2012), new media and time (Rocamora 2013), the Internet and democratization (Pham 2011), digital entrepreneurship (Lewis 2013), the new information economy (Pham 2013), and self-digitalization (Kretz 2010). What all those studies draw attention to is the centrality of both fashion and social media to practices of the self and the formation of collective identities.…”
mentioning
confidence: 99%