IEEE International Conference on Acoustics Speech and Signal Processing 2002
DOI: 10.1109/icassp.2002.1006191
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Synthesis of car noise based on a composition of engine noise and friction noise

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Cited by 6 publications
(2 citation statements)
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“…Analysis/resynthesis techniques exploit the harmonic, stationary nature of engine sounds and rely on their spectrogram as a description of the acoustic event. Manipulating engine harmonics in amplitude and frequency is a flexible way to explore the sound design possibilities within the boundaries of a well-defined space [2,4].…”
Section: Related Workmentioning
confidence: 99%
“…Analysis/resynthesis techniques exploit the harmonic, stationary nature of engine sounds and rely on their spectrogram as a description of the acoustic event. Manipulating engine harmonics in amplitude and frequency is a flexible way to explore the sound design possibilities within the boundaries of a well-defined space [2,4].…”
Section: Related Workmentioning
confidence: 99%
“…An example of an international study is Takeda et al (2011) where driver behavior is modeled empirically along with various other in-vehicle parameters. Studies specializing in in-vehicle noise include Ban et al (2002) where model for vehicle noise is proposed that is a function of engine and road friction noises. This model was used to synthesize vehicle noise where engine noise was modeled using a long term spectral average and the friction noise was modeled as white noise with varying power.…”
Section: Introductionmentioning
confidence: 99%