“…Shilton and Srinivasan (2007) underline, “The longstanding archival undervaluing of multicultural narratives, and even more complex problem of a lack of recognition of what constitutes a localized record, has created a persistent gap in documentation of the meaningful narratives of a host of peoples” (p. 92). Scholars note the filling of documentary gaps concerning colonialism in the Caribbean (Bastian, 2013a; O'Flaherty, 2009) and the Pacific (Tale and Alefaio, 2009); postgenocide in Africa (Wallace et al , 2014); local or popular music in the United States (Baker, 2016; Baker and Collins, 2015, 2017; Daniels et al , 2015; Wallace, 2009); race, ethnicity, or nationality such as African American (Fullwood, 2009), Filipino American (Schreiner and de los Reyes, 2016), Southeast Asian American (Caswell and Mallick, 2014), and Portuguese South African (Rodrigues, 2016, 2015; Rodrigues et al , 2014); indigenous, aboriginal, or formerly enslaved peoples in Canada (Allard and Ferris, 2015; McCracken, 2015), South Africa (Garaba, 2016), and Mexico (White, 2009); and feminists (Corvid, 2014; Henningham et al , 2017; Moore, 2016; Sadler and Cox, 2017) and queer people (Baucom, 2018; Burford, 2018; Cifor, 2016; Fullwood, 2009; Wakimoto et al , 2013a, b) in the United Kingdom, Australia, and the United States.…”