2019
DOI: 10.1177/0027432118815961
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Teaching about the Korean Ganggangsullae Folk Tradition in General Music Class

Abstract: Korean folk music has been rarely included in the Western music curriculum due to limited materials for music teachers to use. This article introduces Ganggangsullae, a prominent Korean folk tradition (called a “folk play” by Koreans) that incorporates singing and dancing, and discusses its historical background and the unique elements of Korean folk music that it illuminates: Korean rhythm, minyo singing, dancing, and dialogue play. In addition, this article offers practical teaching guidance for incorporatin… Show more

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Cited by 2 publications
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“…In accordance, Elliot (2009) affirms that the provision of children security and respects can be arranged by giving status to children's own musical cultures through formal music education environment and by utilizing their spontaneous music making as a springboard for adult directed learning program. These steps are in line with the efforts to introduce folk music as their own native culture, hence, the children can know the tales inherited from one generation to another (R. Han & Leung, 2015;Yang & Welch, 2016;Yi, 2019). Moreover, it has been found that the use of technology in children song making was considered effective.…”
Section: Discussionmentioning
confidence: 62%
“…In accordance, Elliot (2009) affirms that the provision of children security and respects can be arranged by giving status to children's own musical cultures through formal music education environment and by utilizing their spontaneous music making as a springboard for adult directed learning program. These steps are in line with the efforts to introduce folk music as their own native culture, hence, the children can know the tales inherited from one generation to another (R. Han & Leung, 2015;Yang & Welch, 2016;Yi, 2019). Moreover, it has been found that the use of technology in children song making was considered effective.…”
Section: Discussionmentioning
confidence: 62%
“…Some teachers indicated that, having been educated and trained in a system that favours European classical music, they feel insufficiently prepared to produce materials that would be appropriate for teaching world music at KS4/5 themselves. Some have to rely on online materials without significant prior knowledge, which is potentially problematic given that such materials are variable in quality (Mishra, 2004;Beegle, 2012;Yi, 2019). However, some teachers who took ethnomusicology courses at university expressed more confidence in producing their own materials, using lecture notes, ethnomusicological texts and websites, and world music guides such as Bakan (2011), Doherty and Knight (2012), and Miller and Shahriari (2017) to design classes.…”
Section: Limitationsmentioning
confidence: 99%