1991
DOI: 10.2307/431498
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Technology as Symptom and Dream

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Cited by 36 publications
(48 citation statements)
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“…In particular, I am interested in the kinds of subjectivities created by linear time, and also how conceptions of linear time correspond to lived realities. Romanyshyn (1989) describes how linear perspective initially developed as a technique in Renaissance art, and subsequently moved off the canvas to become a pervasive "habit of mind" for western-Enlightenment societies. The perspective, he argues, is tightly bound to the emergence of technological worlds and to sociotechno-imaginaries (Jasanoff and Kim, 2009).…”
Section: (Emphasis In Original)mentioning
confidence: 99%
“…In particular, I am interested in the kinds of subjectivities created by linear time, and also how conceptions of linear time correspond to lived realities. Romanyshyn (1989) describes how linear perspective initially developed as a technique in Renaissance art, and subsequently moved off the canvas to become a pervasive "habit of mind" for western-Enlightenment societies. The perspective, he argues, is tightly bound to the emergence of technological worlds and to sociotechno-imaginaries (Jasanoff and Kim, 2009).…”
Section: (Emphasis In Original)mentioning
confidence: 99%
“…enment, suggests that people invoke socially constructed dichotomies as a means by which to order their experiences and understand their world (Derrida, 1982;Romanyshyn, 1989). This ideological tradition of dualism has been said to underpin contemporary social discourses that construct the self as comprising two disparate parts: (a) the mind or soul and (b) the body.…”
Section: Shifting Focus From the External To Internal Selfmentioning
confidence: 99%
“…249). This insight is echoed in Romanyshyn's (1989) brilliant interpretation of modern humankind as Homo astronauticus seeking to escape death by simultaneously escaping earth by penetrating into space and vacating the corpse-like body of modern science through technology.…”
Section: A D I F F E R E N T a P P R O A C H T O U N D E R S T A N D mentioning
confidence: 99%
“…God has been removed to a distant past in which "distance" pervades the world. "Truth" is that which is held at a distance-the "objective" view, which Romanyshyn (1989) traces back to the emergence of linear perspective in painting as early as 1435 with Leon Battista Alberti (p. 35). The shift in worldview from pre-modern to modern, for van den Berg, is a shift in spatiality toward an increased distance.…”
Section: A D I F F E R E N T a P P R O A C H T O U N D E R S T A N D mentioning
confidence: 99%