Analytical Archaeometry 2012
DOI: 10.1039/9781849732741-00502
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Technology of Production: The Master Potter ´Ali Muhammad Isfahani: Insights into the Production of Decorative Underglaze Painted Tiles in 19th Century Iran

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Cited by 3 publications
(4 citation statements)
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“…Samples of Ali Mohammad's raw materials, held at the Victoria and Albert Museum, have been analysed by Reiche and Voigt (, 524–6) and provide a valuable basis for comparison. Among this collection, four boxes have been labelled in relation to cobalt (or lājvard , as it was commonly referred to in Persian): lājvard colour ( reng‐e l ā jvard, from the neighbourhood of Kāshān; box no.…”
Section: Chemical Ore Processingmentioning
confidence: 99%
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“…Samples of Ali Mohammad's raw materials, held at the Victoria and Albert Museum, have been analysed by Reiche and Voigt (, 524–6) and provide a valuable basis for comparison. Among this collection, four boxes have been labelled in relation to cobalt (or lājvard , as it was commonly referred to in Persian): lājvard colour ( reng‐e l ā jvard, from the neighbourhood of Kāshān; box no.…”
Section: Chemical Ore Processingmentioning
confidence: 99%
“…13). According to Reiche and Voigt's (, 511) analysis, the composition of box no. 12 (essence of lājvard) was unrelated to any type of cobalt ore, showing high lead but no cobalt content.…”
Section: Chemical Ore Processingmentioning
confidence: 99%
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“…The difficulty in procuring raw supplies and the price of raw materials, which may have increased accordingly, could explain why the quantity of boron in glazes around 1885 decreased in the Vieillard & Co factory (Table 2). On the contrary, use of borax (also called tanagar) is reported in a 19th century treatise by the potter named Ali Muhammad Isfahani, who worked in Tehran (Ali 1888;Reiche and Voigt 2012).…”
Section: Evolution Of Recipes Compositionmentioning
confidence: 99%