1973
DOI: 10.1093/mq/lix.4.497
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Tempo as an Expressive Element in the Late Romantic Lied

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“…In the term of rubato, Kravitt (1973); Martin (2002) state that rubato is part of the expression of the Romantic era. Krafit classified the concept of rubato into rubato which only involves melody elements and rubato which involves all texture element.…”
Section: The Performance Style In Romantic Eramentioning
confidence: 99%
“…In the term of rubato, Kravitt (1973); Martin (2002) state that rubato is part of the expression of the Romantic era. Krafit classified the concept of rubato into rubato which only involves melody elements and rubato which involves all texture element.…”
Section: The Performance Style In Romantic Eramentioning
confidence: 99%
“…His preparatory gesture has signalled the tempo and mood of the piece to the pianist and his first note allows him to ease into the melodic line without any sudden crunch or scrape. This sense of unending line continues with a sliding (glissando) second sustained note, moderating the tempo with the use of rubato, a technique of managing and even suspending the regular beat (Kravitt, 1973). Meanwhile the pianist has Bathurst and Cain 367 finished his first broken chord and must wait until Bell signals the beginning of the next chord, with the change in bow direction and a full sway of his body, again in tempo.…”
mentioning
confidence: 99%