Text Semantic Field Method as a Possibility of Systemic Approach to the Study of Literary Text: on the Material of the Novel “HOME OF THE GENTRY” by I.S. Turgenev

Abstract

The article is devoted to identifying the explanatory potential of the text semantic field method as a system method in understanding the nature of connections between different levels of a literary text. It allows us to reach the super-category of the author's image, which acts as the organizing beginning of a literary text. Thus, the text semantic field is both the object and the method of the research. The method of comparative analysis revealed that the overcoming of natural language oppositions, inherent in the artistic text, can be manifested to a greater or lesser extent: from the weakening of semantic oppositions of natural language due to the enhanced semantic convergence of implicitly related semantic units, which can be observed, as shown by the study, in the novel by I.S. Turgenev Home of the Gentry, to the complete destruction of natural language oppositions, originally inherent, as it was proved in the works of O.I. Valentinova, in the aesthetics of polyphony. The comparison made possible to clarify that the principles of the organization of text semantic fields in artistic texts can perform opposite functions: to increase the semiotic significance of the image category, as it happens in the novel analyzed by I.S. Turgenev, or, on the contrary, as proved in the research of O.I. Valentinova, to indicate a decrease in the semiotic significance of the image category, which is a constitutive property of polyphonic texts. The use of the comparative method also allowed us to show that overcoming the oppositions of natural language, as a mechanism for the formation of text semantic fields not only of a literary text, but also semiotically complex texts of a different etiology, performs different functions. A comparison of character education text semantic fields of literary texts with the study of E.Yu. Medvedev the principle of formation of the text fields in the Orthodox liturgical sermons have clarified that if the destruction of the oppositions of natural language in a literary text generates occasional oppositions, will appear on the me of the artist, overcoming the oppositions of natural language in liturgical preaching brings to the ontological meanings that exist outside of the will and consciousness of the preacher.