2017
DOI: 10.1177/0891241617716744
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“That $hit Ain’t Gangsta”: Symbolic Boundary Making in an Online Urban Gossip Community

Abstract: This paper examines how commenters (N= 290 posts) to an urban gossip blog interpret the meaning of ambiguously sexual behavior: a kiss shared by two male gangsta rappers. It shows that fans use the same interpretive repertoire to come to very different conclusions about the meaning of the rappers’ sexual orientation in the wake of the kiss. Other research finds that hegemonic masculinity has expanded to include touch between men as a legitimate expression of heterosexual intimacy, yet that literature ignores o… Show more

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Cited by 7 publications
(7 citation statements)
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“…As was presented in Israel, the population is affected by the main religions, and this effect might be culture-bound. For example, Randolph et al (2018) reported that among youth in the American culture, gossip is considered legitimate and there are even very popular blogs and gossip sites operated by teenagers on the internet. Lee and Workman (2014) supported this perception for Korean adolescents.…”
Section: Discussionmentioning
confidence: 99%
“…As was presented in Israel, the population is affected by the main religions, and this effect might be culture-bound. For example, Randolph et al (2018) reported that among youth in the American culture, gossip is considered legitimate and there are even very popular blogs and gossip sites operated by teenagers on the internet. Lee and Workman (2014) supported this perception for Korean adolescents.…”
Section: Discussionmentioning
confidence: 99%
“…While there are some explorations of Black men’s musical expressions of their inner lives that center emotional pain, vulnerability, and other feelings (Oware 2011; Winters 2013), many understandings of hip-hop hinge upon the genre’s hypermasculinity and its reinforcement of the larger patriarchal and misogynistic culture from which it derives. Such understandings elide how hip-hop also stretches the possibilities for a multiplicity of acceptable performances of masculinity (Randolph, Swan, and Rowe 2017). Ignoring these expressions of feelings also exemplifies the dehumanization that occurs with failures to recognize African American interiority.…”
Section: Sorrow Songs and Quiet Resistancementioning
confidence: 99%
“…The Black and white photo shows Jordan cradling the back of Coogler’s head with one hand, as Coogler tilts his head toward Jordan’s shoulder and both men look at the camera. The closeness and proximity of two Black male bodies touching and exhibiting care for one another is a powerful counternarrative about Black masculinity, even as some conversely interpret it as perpetuating the feminization and emasculation of Black men (Oware 2011; Randolph, Swan, and Rowe 2018). To love Black people is a radical act in a world where anti-Blackness permeates every aspect of life.…”
Section: Data and Methodological Approachmentioning
confidence: 99%