How and why did large-format almanac prints—a relatively understudied form of media that reached its apogee under Louis XIV—amalgamate the battle against Calvinism and Islam in the 1680s? Combining visual and textual analysis, this article suggests that royal image makers linked Muslims and Protestants to defend the Revocation of the Edict of Nantes and manifest the French king's religious zeal and imperial ambition while distracting from the ahdname (capitulations) granted by the Ottoman sultan that precluded France from joining a Catholic alliance to fight the “Turkish menace.” The article also considers the differential risks of promoting Louis XIV's Islamophobic image among constituencies in Europe and around the Mediterranean.