The Absurd in Ljudmila Petruševskaja's Plays

Kolesnikoff, Nina

doi:10.1016/s0304-3479(98)80011-2

Cited by 2 publications

(1 citation statement)

References 3 publications

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“…A review of scientific works devoted to these problematics shows a number of researches characterizing the specificity of a short-story genre within the context of a certain national literature (Brown, Cain, 1997;Kennedy, 1995;Vojvodić, 2017;Kudryavtseva, 2009;Gayfiyeva, 2010;Matizheva, 2008;Panteleeva, 2006;Vladimirova, 2011). Moreover, a short story is analyzed in a general context of creative work of a contemporary writer (Simmons, 1992;Kolesnikoff, 1998;Wall, 1993;Shneidman, 1995;Dowsett, 1990;Haensgen, 2015;Mokrova, 2003;Yefremenkov, 2006;Vershinina, 2011;Pushkar, 2007;Budarina, 2010).…”

Section: Theoretical Frameworkmentioning

confidence: 99%

Original Projections of Author’s “Self” in Modern Russian and Uzbek Short Story

Kamilova

Arustamyan

2020

Journal of Siberian Federal University. Humanities &Amp; Social Sciences

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This article is devoted to the analysis of the short story genre in Russian and Uzbek literature of the late 20th and early 21st centuries, in which a subjectivist-open position in attitude to reality acquires the quality of the leading principle organizing its artistic integrity. The article analyzes the whole layer of works with different realization of the triad “author-narrator-character”. These three components of its beginning are connected at one point, the author becomes both the narrator and the protagonist of a literary text. Moreover, either a partial or complete coincidence of the narrator with the author is observed. In such stories, regardless of the object of reflection, the narration is conducted in the first person and is purely subjective. We decided that it was logical to consider them in accordance with one or another specific type of authorship presented. As a result, we have developed a classification of the types of the author’s “Self”, which is represented by introverted, juvenile- retrospective and lyrical types of the author’s “Self” in modern Russian and Uzbek short stories

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Section: Theoretical Frameworkmentioning

confidence: 99%