1988
DOI: 10.1121/1.396477
|View full text |Cite
|
Sign up to set email alerts
|

The acoustic features of vervet monkey alarm calls

Abstract: Vervet monkeys routinely produce semantic alarm calls upon detection of various predators encountered in their natural environment. Two of these calls, snake and eagle alarms, were analyzed using digital signal processing techniques in order to identify potentially distinctive acoustic cues. Distinctive cues were sought in the periodicity of the source waveform associated with each call type, the probable vocal tract filtering functions, and in temporal patterning. Results were equivocal with respect to source… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
3
1
1

Citation Types

3
59
0

Year Published

1989
1989
2024
2024

Publication Types

Select...
9
1

Relationship

1
9

Authors

Journals

citations
Cited by 103 publications
(62 citation statements)
references
References 0 publications
3
59
0
Order By: Relevance
“…Vervet monkeys, for instance, use four different grunts when approaching a dominant member of their group, when approaching a subordinate, when moving into an open area, and upon sighting another group. Their eagle alarm resembles these grunts in bandwidth and spectral features (Owren & Bernacki, 1988;Seyfarth & Cheney, 1984). The five call types are acoustically similar, but their referents differ markedly (see also Seyfarth & Cheney, 1997).…”
Section: Discussionmentioning
confidence: 99%
“…Vervet monkeys, for instance, use four different grunts when approaching a dominant member of their group, when approaching a subordinate, when moving into an open area, and upon sighting another group. Their eagle alarm resembles these grunts in bandwidth and spectral features (Owren & Bernacki, 1988;Seyfarth & Cheney, 1984). The five call types are acoustically similar, but their referents differ markedly (see also Seyfarth & Cheney, 1997).…”
Section: Discussionmentioning
confidence: 99%
“…To the extent that the source/filter theory of vocal production applies to many animal vocalizations ͑Fitch and Fitch and Hauser, 2002͒, various well-understood signal processing techniques, developed by speech scientists, are available to modify formants without changing other aspects of the signal. For example, LPC-based analysis and resynthesis can be used to artificially separate the signal into source and filter components, if certain preconditions are fulfilled ͑Fitch, 1997; Owren and Bernacki, 1988͒. Then, the filter component can be modified in specific ways, and source and filter can be recombined to create a naturalsounding vocalization where only the spectral prominences have been shifted ͑Moorer, 1979; Moore, 1990;Smith et al, 2005͒. These and similar techniques can easily be implemented on desktop systems using software such as MATLAB or PRAAT.…”
Section: Introductionmentioning
confidence: 99%
“…There is an increasing consensus among researchers in the field that the source-filter-theory, originally put forward to explain speech production ͑Fant, 1960͒, serves as a useful model for mammalian sound production ͑Andrew, 1976; Owren and Bernacki, 1988;Riede and Fitch, 1999͒. The theory posits that a vocal signal is produced by the vocal folds ͑the source͒, and is subsequently shaped by the resonance properties of the vocal tract ͑the filter͒.…”
Section: Introductionmentioning
confidence: 99%