The aesthetics of impasse and the affective rhythms of survival: Andrea Arnold’s<i>Fish Tank</i>as cinema of precarity

Paszkiewicz, Katarzyna

doi:10.1080/17400309.2023.2218784

New Review of Film and Television Studies

2023

DOI: 10.1080/17400309.2023.2218784

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The aesthetics of impasse and the affective rhythms of survival: Andrea Arnold’sFish Tankas cinema of precarity

Katarzyna Paszkiewicz

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2024

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À Plein Temps (Full Time, 2021): On the Inconvenience of Other People’s Strikes

Fraser

2024

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This paper situates Éric Gravel’s 2021 feature film À plein temps at a hinge point between the “cinema of precarity” and something new. Building on Lauren Berlant’s (2022) conceptualisation of inconvenience, I argue that the film’s depiction of strike action as inconvenient is precisely what allows it to portray and comment on an emergent post-neoliberal structure of feeling in France and beyond.

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À Plein Temps (Full Time, 2021): On the Inconvenience of Other People’s Strikes

Fraser

2024

Brief Encounters

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show abstract

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The aesthetics of impasse and the affective rhythms of survival: Andrea Arnold’sFish Tankas cinema of precarity

Cited by 1 publication

References 30 publications

À Plein Temps (Full Time, 2021): On the Inconvenience of Other People’s Strikes

À Plein Temps (Full Time, 2021): On the Inconvenience of Other People’s Strikes

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