The Aesthetics of Surakarta Palace’s Karawitan According to Serat Sri Karongron

Daryanto, Joko; Rustopo, Rustopo; Sunarto, Bambang

doi:10.33153/dewaruci.v15i1.2766

Cited by 2 publications

(3 citation statements)

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“…Kingdom's order and rule are determined based on the King's knowledge. It is in line with Daryanto [8] . Bedhayan dance does not contain order and rule because this dance is indeed out of the court's corridor.…”

Section: Introductionsupporting

confidence: 83%

Ideology of Bedhayan Dance in Surakarta in Globalization Era

Sawitri¹,

Sudardi²,

Abdullah³

et al. 2020

Proceedings of the Proceedings of the Third International Seminar on Recent Language, Literature, and Local Culture Studies, BA

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Culture is born from an artist/a choreographer's idea and thought. Bedhayan is a dance performed in group by minimally five dancers and maximally unlimited number of dancers corresponding to the theme and message to be delivered by artist/choreographer, while its makeup and fashion are varying corresponding to the character performed. Data was collected using descriptive qualitative method with interview, book, journal, document, photograph, video, magazine, and etc. Choreographers have ideology in creating their work as the artists' self actualization, existence, economic welfare, innovation and art creativity. Ideology contained in bedhayan is also an answer to art and work that will keep evolving along with the time development. Globalization affects human's mindset. Globalization current cannot be warded off as the development is a flowing process. The change of mindset affects human's work.

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Section: Introductionsupporting

confidence: 83%

Ideology of Bedhayan Dance in Surakarta in Globalization Era

Sawitri¹,

Sudardi²,

Abdullah³

et al. 2020

Proceedings of the Proceedings of the Third International Seminar on Recent Language, Literature, and Local Culture Studies, BA

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show abstract

“…In a sociological approach to karawitan, it is crucial to consider motivations and ideological reasons during analysis. This allows us to understand how karawitan, from a sociological standpoint, is capable of shaping the image of an alus Javanese [18]. It becomes evident that karawitan holds the power to bring about ideological transformations within an individual [19].…”

Section: Resultsmentioning

confidence: 99%

“…Purbadipura. The Serat Sri Karongron elaborates on the role of karawitan in various social activities, such as pasewakan (facing), karawitan in the GarebegBesar celebration, karawitan in GarebegMulud celebrations, karawitan in commemorating the TingalanDalemPawukon, and karawitan in the dalem drops (hajatdalemtetesan) [4]. This function demonstrates that karawitan is not solely a musical concern, but rather a source of information about social life and the values embedded within 'Javanese' social norms.…”

Section: Introductionmentioning

confidence: 99%

From soundscapes to societies: investigating gamelan's cultural impact through the socio-karawitanology paradigm

Sularso,

Hanshi,

2023

Dewa Ruci J. Pengkaj. dan Pencipta. Seni.

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This article investigates the auditory environment, known as "soundscapes," created by Gamelan, which comprises a distinctive combination of instruments, melodies, rhythms, and timbres that collectively shape the sonic experience. Recognizing the significance of understanding the auditory dimension of Gamelan and its influence on Indonesian society's cultural and social fabric, we explore the socio-karawitanology paradigm as the primary research topic. Our objective is to establish a novel gamelan research paradigm by integrating insights from sociology and karawitanology. The research methodology incorporates data from international journal articles and proceedings while also incorporating additional sources like field observations, expert interviews, and active engagement with the local community to ensure a comprehensive understanding of karawitan and its socio-cultural significance. Our analysis reveals that the socio-karawitanology paradigm provides a valuable framework for exploring the intricate and dynamic social dimensions prevalent in contemporary societal issues. The research contributes significantly by introducing the socio-karawitanology paradigm, opening avenues for fresh perspectives and insights in the field of karawitanology. It fosters a broader understanding of the socio-cultural impact of karawitan and stimulates further investigations into the interplay between music, society, and culture.

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The Aesthetics of Surakarta Palace’s Karawitan According to Serat Sri Karongron

Cited by 2 publications

References 0 publications

Ideology of Bedhayan Dance in Surakarta in Globalization Era

Ideology of Bedhayan Dance in Surakarta in Globalization Era

From soundscapes to societies: investigating gamelan's cultural impact through the socio-karawitanology paradigm

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