2015
DOI: 10.1086/679078
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The Architecture of Comics

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Cited by 36 publications
(5 citation statements)
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“…Certainly, using an enclosing panel, a comics creator is able to create a moment in time (Eisner 2008), and in multiple-panel comics, each successive panel both moves the story forwards and arrests that forward momentum by encouraging contemplation of a new moment (Groensteen 2007). Labio (2015) further suggests that we not only read the narrative of comics, moving forwards within the time of the story, but we also 'dwell within' the individually constructed moments, a dual sense of rhythm which can be applied to both single-and multiple-panel comics. The multiplepanel comic's rhythm is further complicated on pages which include a multiframe containing many panels.…”
Section: Narrative Rhythmmentioning
confidence: 99%
“…Certainly, using an enclosing panel, a comics creator is able to create a moment in time (Eisner 2008), and in multiple-panel comics, each successive panel both moves the story forwards and arrests that forward momentum by encouraging contemplation of a new moment (Groensteen 2007). Labio (2015) further suggests that we not only read the narrative of comics, moving forwards within the time of the story, but we also 'dwell within' the individually constructed moments, a dual sense of rhythm which can be applied to both single-and multiple-panel comics. The multiplepanel comic's rhythm is further complicated on pages which include a multiframe containing many panels.…”
Section: Narrative Rhythmmentioning
confidence: 99%
“…Recent scholarship has made clear the different ways in which comics and the city (as well as architecture) are intertwined, whether in terms of the synchronous emergence of comics and the modern metropolis, the way that comics are perceived to be particularly proficient at capturing the multifaceted and multi-sensory nature of urban life, the profoundly spatial form of comics, or the manner in which the grid pattern of the comics page mirrors the grid of many urban settlements or architectural structures (see, for example, Ahrens and Meteling, 2010;Van der Hoorn, 2012;Labio, 2015). In his study of Chris Ware's famous Building Stories, a work that has become an archetypal example of urban comics, Jason Dittmer argues that the 'intersecting temporalities' of Ware's work capture 'urbanism-as-assemblage' (2014: 478).…”
Section: Resultsmentioning
confidence: 99%
“…In Europe, on the comic page, architecture has long been an important feature. Winsor McCay provided readers of the weekly Little Nemo in Slumberland with a complete compilation of modern American styles in the early decades of the twentieth century (Labio, 2015). The interiors have a significant role in these comics.…”
Section: Caricatures Satire and Architecturementioning
confidence: 99%
“…The interiors have a significant role in these comics. Buildings have also played a vital role in the history of Franco-Belgian comics, particularly in the Twentieth Century's last decades (Labio, 2015). The prominence of architecture in different mediums attracted the attention of many various institutions and architects back then.…”
Section: Caricatures Satire and Architecturementioning
confidence: 99%
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