The art of jieyuan: ethical affinity and the cultivation of Chinese Buddhist spirituality in Tanzania

Abstract

Ethical encounters in cross‐cultural contexts have been a major concern in the anthropology of morality and religion, yet the dominant view assumes that processes of ethical transformation and conversion emphasize the centrality of texts and beliefs. These discussions are influenced by epistemological frameworks associated with Christian theology and practice. Yet studies of other religions have brought about challenges by either doubting whether ‘belief’ still serves as a fruitful analytical tool or stressing the diversity of non‐text‐driven and multimedia forms of conversion. Based on fieldwork in a Chinese Buddhist monastery in Tanzania, this essay examines how Buddhist monks from China seek to cultivate Buddhist spirituality among Tanzanian locals in an embodied and allegorical way. By ethnographically teasing out the Chinese Buddhist notion of jieyuan, it provides a way of understanding religious suasion not just as a rational and intellectual conversation, but also as a process of embodied illumination that induces gradual, inductive, sympathetic changes in others.