2022
DOI: 10.1177/01708406221080141
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The Atmospherics of Creativity: Affective and spatial materiality in a designer’s studio

Abstract: Encounters between materials and bodies matter throughout the creative process. This paper contends that creative work depends on these encounters generating and filling the atmosphere with affect. Based on an in-depth ethnography within a fashion design studio, the article empirically traces such affective encounters and corresponding atmospheres. In the studio, designing is performed through artefacts as well as experimental and collaborative gestures that inspire affective reactions and spark creative work.… Show more

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Cited by 16 publications
(10 citation statements)
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“…In doing so it joins conversations in organization studies that examine how wider social structures are internalized and become part of our own actions (Fotaki, 2013; Fotaki, Long, & Schwartz, 2012; Kenny, 2012, 2016; Rizq, 2013, 2014; Vince, 2019). Aided by the growing interest in affective methodologies (Leclair, 2023; Otto & Strauß, 2019; Özdemir Kaya & Fotaki, 2023), it offers one expression of the critical potential of techniques of montage and juxtaposition (Beyes & Holt, 2020; Sørensen, 2010, 2014) for developing an analytical sense of uncanny disturbances.…”
Section: Discussionmentioning
confidence: 99%
“…In doing so it joins conversations in organization studies that examine how wider social structures are internalized and become part of our own actions (Fotaki, 2013; Fotaki, Long, & Schwartz, 2012; Kenny, 2012, 2016; Rizq, 2013, 2014; Vince, 2019). Aided by the growing interest in affective methodologies (Leclair, 2023; Otto & Strauß, 2019; Özdemir Kaya & Fotaki, 2023), it offers one expression of the critical potential of techniques of montage and juxtaposition (Beyes & Holt, 2020; Sørensen, 2010, 2014) for developing an analytical sense of uncanny disturbances.…”
Section: Discussionmentioning
confidence: 99%
“…Dale, 2005; Kingma, Dale, & Wasserman, 2018; Wasserman & Frenkel, 2015) and implies a conceptual move from space to spacing; an assemblage of subjects, objects, affects, discourses and practices (Beyes & Steyaert, 2012; Knox, O’Doherty, Vurdubakis, & Westrup, 2015; Michels & Steyaert, 2017; Ratner, 2020). Rather than focusing on representations of what a space ‘is’, processual studies concentrate on what space ‘does’, that is, how it performs organizations and forms of organizing (Cnossen & Bencherki, 2019; Leclair, 2023; Sivunen & Putnam, 2020) Space is then seen as constantly in the making and co-constitutive of material, discursive and affective organizational action (Giovannoni & Quattrone, 2018; Hirst & Humphreys, 2013; Hirst & Schwabenland, 2018; Ratner, 2020).…”
Section: D+g and Processual Studies Of Organizational Spacementioning
confidence: 99%
“…This economization of practices in creative spheres is visible through constant rationalization efforts, defined by Tschang (2007) as 'a predominant focus on business interests or productivity-oriented production processes, usually at the expense of creativity' (p. 989). Approaching creativity through space makes it possible to delimit spaces that are conditioned, but some spaces emerge that are also less constrained than others (Leclair, 2023). Yet, the overall evolution of creative industries, Tschang (2007) insists, tends to be driven by a deeper, continuing tension between the forces for creativity and those for more economic interests, and this rationalization context has shrunk the creative scope of individuals.…”
Section: From the Challenge Of Combining Artistic And Economic Ration...mentioning
confidence: 99%