2020
DOI: 10.1080/17512786.2020.1854052
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The Attention Apparatus: Conditions and Affordances of News Reporting in Hybrid Media Events of Terrorist Violence

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Cited by 11 publications
(10 citation statements)
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“…Following Latour (2005: 71), we consider that "anything that does modify a state of affairs by making a difference, is an actor". In hybrid, violent media events, this includes not only human actors but also non-human agents, ranging from technologies, such as algorithms of digital platforms, to elements of institutional practices, such as the production routines of news on terrorism (see Uusitalo & Valaskivi, 2020). The formation of rituals of belonging through interactions that cut across platforms and geographical locations, and the involvement of a multiplicity of actors -both human and non-human -means that hybrid, violent media events are highly complex phenomena.…”
Section: Actorsmentioning
confidence: 99%
See 1 more Smart Citation
“…Following Latour (2005: 71), we consider that "anything that does modify a state of affairs by making a difference, is an actor". In hybrid, violent media events, this includes not only human actors but also non-human agents, ranging from technologies, such as algorithms of digital platforms, to elements of institutional practices, such as the production routines of news on terrorism (see Uusitalo & Valaskivi, 2020). The formation of rituals of belonging through interactions that cut across platforms and geographical locations, and the involvement of a multiplicity of actors -both human and non-human -means that hybrid, violent media events are highly complex phenomena.…”
Section: Actorsmentioning
confidence: 99%
“…Historically, this type of manipulation has typically been documented regarding the relationship between terrorism and journalism. In fact, journalist organisations and newsrooms have developed practices to identify and manage such manipulation attempts (see, e.g., Uusitalo & Valaskivi, 2020;Uusitalo et al, 2021). However, in contemporary hybrid, violent media events, the manufacturing of these types of apparently random and irrelevant connections between an act of violence and an extremely popular phenomenon has become increasingly common (Vainikka, 2020).…”
Section: Attention and Amplificationmentioning
confidence: 99%
“…Extremism and terrorism receive amplified media attention in Finland as elsewhere in the Western world [39], which shows, for example, in young people's increased worry about terrorism [40,41] and the government's emphasis of the role of the educational sector in the national action plan for prevention of radicalisation and violent extremism [4,42]. Although studies show that the majority of young people in Finland are doing well [43,44] and that violent crime among young people has decreased [45], the suggested responsibilities for educational institutions to partake in the national prevention of radicalisation and extremism is well grounded: societal polarization, various extremist movements, and attacks are in the rise [46,47] and young people's exposure to propaganda, disinformation, racism, and hate speech has increased.…”
Section: Prevention Of Radicalization In Finnish Educationmentioning
confidence: 99%
“…The attention that Erdogan's tweet ('Selam kardeşim … ') gained places him in a prestigious position in the interaction network. Other prestigious actors include Twitter handles jacindaardern, trtworld, mansuryavas06, and YouTube (see Table 1), each surrounded by a flock of actors agreeing, disagreeing, or otherwise interacting with them, increasing attention (Valaskivi & Uusitalo, 2020). The outdegree values among the most mentioned actors are zero, indicating they are not active participants in the discussions.…”
Section: Exploring the Emergent Patterns Of Interactionmentioning
confidence: 99%
“…The Christchurch massacre instantly turned into a hybrid media event , and while terrorist violence seeks media attention (Cui & Rothenbuhler, 2018), newsrooms play a significant role in generating this attention (Valaskivi & Uusitalo, 2020) and in framing and recognising singular moments of violence as exceptional (Nossek, 2008). The formulaic representation of terror utilises established mnemonic schemes, situating these events within a larger temporal flow; these representations of terror contribute to the collective memory of how we understand terror (Zelizer, 2018).…”
Section: Introductionmentioning
confidence: 99%