The basic concept of baluwarti Cirebon palace, Study case of Kasepuhan, Kanoman and Kacirebon Palace

Lestari, Nia Yunia; Salura, Purnama; Fauzy, Bachtiar

doi:10.30822/arteks.v6i1.626

Cited by 3 publications

(2 citation statements)

References 4 publications

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“…Selain itu, arsitektur bangunanbangunan bersejarah seperti Keraton Kasepuhan dan Keraton Kanoman menunjukkan pengaruh kuat dari gaya arsitektur Jawa dan Sunda. Identitas ini memainkan peran krusial dalam membentuk citra dan daya tarik Kota Cirebon bagi wisatawan (Lestari, 2020).…”

Section: Pendahuluanunclassified

Budaya dan Heritage Kota Cirebon: Identitas, Komersialisasi dan Pariwisata

Lestari,

Paryanto

2023

PJIIB

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This article describes the unique culture and historical heritage that is owned by the City of Cirebon, a city that is rich in identity and traditional traditions. The main focus of this article is on the role of commercialization and the tourism industry in preserving and promoting the culture and heritage of Cirebon City to tourists. This article also examines the relationship between art, architecture, traditional traditions and culinary arts and the identity of the city of Cirebon, and how these elements become the main attraction for tourists. Through an in-depth search, this article provides insight into the efforts made by the government and local communities to maintain and develop the cultural wealth and historical heritage of Cirebon City, while still considering the impact of commercialization on cultural authenticity and sustainability. This research is important for understanding the importance of cultural preservation and developing appropriate strategies for developing sustainable tourism that can provide economic and social benefits for the people of Cirebon City without compromising their identity and cultural integrity.

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Section: Pendahuluanunclassified

Budaya dan Heritage Kota Cirebon: Identitas, Komersialisasi dan Pariwisata

Lestari,

Paryanto

2023

PJIIB

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“…Agustina (2017) is more about showing the King's role in the strength of public trust in sacred space and is still the orientation of the people who are deliberately present to open the people's way of life. In other research on the Kanoman Palace, there is a discussion on the perspective of cosmology and building orientation (Lestari et al, 2021). There is also research on the Palace Palace, which looks more at the role of dance as a tourist attraction (Narawati, 2019), the development of tourist information technology (Hartono et al, 2020), the conservation of palace buildings (Agustina et al, 2021) and viewing Kanoman Palace in a spatial concept (Agustina et., al., 2019).…”

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The Memayu Ritual Tradition Route as a Sacred Space of Cultural Landscape Case Study: Kanoman Palace, Cirebon, Indonesia

Rosmalia,

Dewi

2022

JAPCM

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Memayu is part of the Muludan tradition, commemorating the birth of Prophet Muhammad SAW in the Cirebon Palace, Indonesia. The unique thing about this ritual is that many palace disciples from villages outside Cirebon City are involved in its event. Disciples, also known as wargi, get engaged from the preparation stage in their respective villages to implement traditions in the palace. Part of wargi's ritual activities are full of meaning, and routes from the villages to the palace are sacred paths. The perception and belief of wargi form this meaning space as traditional actors, based on understanding the memayu sacred value. Based on that, the article aims to describe the activities of the memayu ritual tradition held in Kanoman Palace and explore the form of space that occurs and the meaning contained in these ritual tradition spaces. The research method of this research is descriptive qualitative. The results showed that the villagers who were the palace disciples, position, and route to the palace created an imaginary sacred spatial pattern. The spatial pattern created in this memayu is physical evidence of an imaginary sacred space of the Cirebon cultural landscape whose elements are symbolically purified and believed to bring blessings to the palace wargi. Besides that, the aspects of ritual traditions of memayu, such as the palace, routes from villages to the palace, and the sacred objects used as a ceremonial compliment, contain Outstanding Universal Value (OUV). All of that is a part of the picture of the Cirebon cultural landscape.

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Budaya Bendawi Pra Islam di Keraton Cirebon Indonesia

Iryana

Mustofa

Anwar³

2023

BIIS

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Legacy of Sunan Gunung Djati Existing in Cirebon are mosques and palaces which are full of pre-Islamic material elements, both architecturally and objects from the past. This paper aims to explore pre-Islamic material elements in the Cirebon palace and analyze their meaning. The method used in this research is explorative-descriptive, namely one of archaeological research, research by exploring the place under study to look for the desired problem and try to describe it. Based on research, it can be concluded that: first, there are many pre-Islamic elements including, the Barong Lion Train (a train used for the purposes of the sultans), Kamasutera Carvings (reliefs depicting sexual activities), Nandi Statues (vehicles of Lord Shiva and Goddess Parwati), Lingga Yoni (Phallus symbolizing the male genitalia; Yoni symbolizes female genitalia), Bentar Temple (the entrance building of a temple-shaped temple that is split in half), the Derum Elephant Statue on the water (Gajah Derum Tirta Linuih; shows 1458 Saka), the Garuda Statue wrapped around a Snake (Bujnagga Ratu Obahing Bumi; shows 1618 Saka), The Firearms relief Monument (Braja Asta Rasaning Bumi: 1625 Saka), Lotus or Lotus (spiritual symbol symbolizing purity), The Garuda Mina stretcher (a vehicle for the sultans' children to be circumcised), Surya Majapahit (found on the mihrab of the Great Mosque of Cirebon; is the symbol of the Majapahit Kingdom), Ganesaha Carvings (scientific symbols in Hindu mythology), and Jaladwara (a hole to release water in a temple). Secondly, the existence has the meaning of friendship with other countries at that time such as China, India, and Arabia, it was found on the Barong Lion Train. In addition to this, the existence of pre-Islamic elements is a process of acculturation carried out by Sunan Gunung Djati to captivate the hearts of the people of Cirebon to know and embrace Islam.

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The basic concept of baluwarti Cirebon palace, Study case of Kasepuhan, Kanoman and Kacirebon Palace

Cited by 3 publications

References 4 publications

Budaya dan Heritage Kota Cirebon: Identitas, Komersialisasi dan Pariwisata

Budaya dan Heritage Kota Cirebon: Identitas, Komersialisasi dan Pariwisata

The Memayu Ritual Tradition Route as a Sacred Space of Cultural Landscape Case Study: Kanoman Palace, Cirebon, Indonesia

Budaya Bendawi Pra Islam di Keraton Cirebon Indonesia

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