Cultures of Comics Work 2016
DOI: 10.1057/978-1-137-55090-3_8
|View full text |Cite
|
Sign up to set email alerts
|

The Case of the Missing Author: Toward an Anatomy of Collaboration in Comics

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1

Citation Types

0
1
0

Year Published

2019
2019
2023
2023

Publication Types

Select...
2
1

Relationship

0
3

Authors

Journals

citations
Cited by 3 publications
(1 citation statement)
references
References 4 publications
0
1
0
Order By: Relevance
“…Comics, therefore, are by default a multimodal text construction, that does not fit the narrow auteurist vision of humanities and literary scholarship (Brienza 2013). Their distributed labor, under these criteria, makes the valorization of work highly problematic (Gray & Wilkins 2016). Comics production is riddled with the formal subjectivities and the conflicting personal A variety of appropriation practices has structured the winning space.…”
Section: Manouach: Peanuts Minus Schulzmentioning
confidence: 99%
“…Comics, therefore, are by default a multimodal text construction, that does not fit the narrow auteurist vision of humanities and literary scholarship (Brienza 2013). Their distributed labor, under these criteria, makes the valorization of work highly problematic (Gray & Wilkins 2016). Comics production is riddled with the formal subjectivities and the conflicting personal A variety of appropriation practices has structured the winning space.…”
Section: Manouach: Peanuts Minus Schulzmentioning
confidence: 99%