2017
DOI: 10.1177/1354856517721807
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The case of the top Spanish YouTubers: Emerging media subjects and discourse practices in the new media ecology

Abstract: The objective of this article is to propose a first exploratory analysis of the Spanish YouTubers’ main productions and practices. Following the description of the emergence of YouTube in the context of media ecology, the article presents a general overview of the top 10 Spanish YouTubers’ production based on quantitative data. The study continues with a semiotic/discursive analysis of their audio-visual production’s main distinctive traits. As traditional television is imitating nowadays these new media expre… Show more

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Cited by 59 publications
(60 citation statements)
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“…In principle, the initial stages of YouTubers would fall within this prosumer culture (Scolari & Fraticelli, 2017), as the YouTubers develop active engagement strategies for their audiences (whether potential or real) following the practices of quality YouTube channels . This area can also be linked to the conditions (characteristics and attributes of the video and parasocial attributes) for encouraging the creation of parasocial relationships between the most highly subscribed YouTube channels, in the sense advanced by Chen (2016).…”
Section: Prosumers and Youtubersmentioning
confidence: 99%
“…In principle, the initial stages of YouTubers would fall within this prosumer culture (Scolari & Fraticelli, 2017), as the YouTubers develop active engagement strategies for their audiences (whether potential or real) following the practices of quality YouTube channels . This area can also be linked to the conditions (characteristics and attributes of the video and parasocial attributes) for encouraging the creation of parasocial relationships between the most highly subscribed YouTube channels, in the sense advanced by Chen (2016).…”
Section: Prosumers and Youtubersmentioning
confidence: 99%
“…In our video sample, the four most common formats were screen-sharing/collab (36%), sketch (23%), music video (17%), and sit-down (17% (Bowyer et al, 2017). It is difficult to analyse genres in YouTube because the constant influx of new user-generated content means there is a constant process of hybridisation between different genres (Scolari & Fraticelli, 2017). As with topics and formats, there is a similar link between formats and genres.…”
Section: Discussionmentioning
confidence: 98%
“…In their latest works, Carlón and his team have focused on new forms of mediatization in social media, and the "convergent mediatization," a process that combines discourses from different media (i.e. Facebook and broadcasting television), including the discursive construction of the "presidential body" in politics, or the emergence of YouTubers as the new media celebrities (Carlón, 2016;Scolari & Fraticelli, 2017). (2015), the CIM has a long history of research projects, publications and events around mediatization that combine the tradition of sociosemiotics with the contributions of the Toronto School.…”
Section: Media Spacementioning
confidence: 99%