2015
DOI: 10.1177/0163443715594869
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The challenge of flow: state socialist television between revolutionary time and everyday time

Abstract: This article contributes to the growing literature on diverse television cultures globally and historically by examining selected aspects of television cultures in the Soviet Union and Yugoslavia. Being part of a political, economic and cultural system that self-consciously set out to develop an alternative form of modern society, state socialist television offers a particularly apposite case study of alternative forms of modern television. State socialist television was inevitably drawn into the Cold War cont… Show more

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Cited by 40 publications
(6 citation statements)
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“…Socialist television featured many of the same genres as television in Western Europe, although it developed distinctive programming trends, such as favoring the historical adventure serial (Imre 2016). Likewise, Sabina Mihelj and Simon Huxtable (2016) note that state socialist television resembled television elsewhere in Europe in many respects. In both contexts, television was closely associated with the private sphere of the home, and television schedules were designed to follow the patterns of work and leisure.…”
Section: Encounters With Socialist Television As a Cultural Formmentioning
confidence: 99%
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“…Socialist television featured many of the same genres as television in Western Europe, although it developed distinctive programming trends, such as favoring the historical adventure serial (Imre 2016). Likewise, Sabina Mihelj and Simon Huxtable (2016) note that state socialist television resembled television elsewhere in Europe in many respects. In both contexts, television was closely associated with the private sphere of the home, and television schedules were designed to follow the patterns of work and leisure.…”
Section: Encounters With Socialist Television As a Cultural Formmentioning
confidence: 99%
“…Unlike Western European television though, socialist television was organized around “revolutionary time,” assuming a teleological progress toward Communism. Thus, socialist television constructed an annual calendar of festivities “designed to commemorate the revolutionary achievements of the past and anticipate the fulfillment of communist ideals in the future” (Mihelj and Huxtable 2016, 343). Christine E. Evans (2016, 13) argues that Soviet Central Television promoted a “festive understanding of the medium,” offering a calendar of holiday programming that sought to disrupt domestic routines.…”
Section: Encounters With Socialist Television As a Cultural Formmentioning
confidence: 99%
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“…Similar changes were under way elsewhere in the region at the time. The substitution of religious celebrations with secular holidays was a characteristic shared by state socialist countries globally and formed, as Sabina Mihelj and Simon Huxtable (2016) underscore, ‘part of a transnationally shared sense of the passage of time’ (pp. 343–344) in the state socialist world.…”
Section: The New Year’s Eve Comedy Sketchesmentioning
confidence: 99%
“…In addition to framing construction in moral terms, home building was conditioned by the particular temporalities of late socialism (Verdery 1996 ; Hanson 1997 ; Mihelj and Huxtable 2016 ). Home builders spoke about the ‘spirit of the time’ which they felt was encouraging to home builders.…”
mentioning
confidence: 99%