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Deaf in the USSR explores the history of the deaf community in the Soviet Union from the February Revolution of 1917 until the collapse of the Soviet state in 1991, situating the experience of deaf people within the broader framework of Soviet programs of identity. Using sources from the All-Russian Society of the Deaf (VOG), a deaf-run state body that can trace its history back to the revolutions of 1917, alongside institutional archives, deaf journalism, literature, theatre, art, cinema and personal memoirs, it considers deaf engagement with the Soviet project to remake society in its various incarnations throughout the Soviet era, and reveals the shifting ways in which the hearing world perceived Soviet deaf lives. By asking what it meant to be deaf in a culture that was founded on a radically utopian, socialist view of humanity, and how Soviet ideologues sought to reconcile the fallibility of the body with the dream of a perfect future society, it interrogates the fundamental contradictions inherent in the Soviet revolutionary project, and reveals how these contradictions were negotiated – both individually and collectively – by Soviet deaf people.
Deaf in the USSR explores the history of the deaf community in the Soviet Union from the February Revolution of 1917 until the collapse of the Soviet state in 1991, situating the experience of deaf people within the broader framework of Soviet programs of identity. Using sources from the All-Russian Society of the Deaf (VOG), a deaf-run state body that can trace its history back to the revolutions of 1917, alongside institutional archives, deaf journalism, literature, theatre, art, cinema and personal memoirs, it considers deaf engagement with the Soviet project to remake society in its various incarnations throughout the Soviet era, and reveals the shifting ways in which the hearing world perceived Soviet deaf lives. By asking what it meant to be deaf in a culture that was founded on a radically utopian, socialist view of humanity, and how Soviet ideologues sought to reconcile the fallibility of the body with the dream of a perfect future society, it interrogates the fundamental contradictions inherent in the Soviet revolutionary project, and reveals how these contradictions were negotiated – both individually and collectively – by Soviet deaf people.
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