2019
DOI: 10.3390/heritage2030157
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The Chiaravalle Cross: Results of a Multidisciplinary Study

Abstract: The Chiaravalle Cross, a masterpiece of Mediaeval goldsmithery, went under restoration in 2016. This was a unique opportunity to undertake an in-depth multidisciplinary study. Several issues were addressed, as for example the chronology of the Cross, lacking any official document about it. The scientific investigations included in situ and laboratory measurements, and the analyses, part of a multidisciplinary protocol, completely characterized the gemstones adorning the Cross, the cameos, the gold, silver, jas… Show more

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Cited by 2 publications
(2 citation statements)
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“…Regarding the multidisciplinary protocols, the characterization study of the Chiaravalle Cross can be considered as an example. Indeed, this cross is a medieval masterpiece belonging to the Duomo of Milan Museum collection (Italy), where a total of 985 gemstones are set, including four Trapiche Sapphires representing the first Trapiches found in history, and has been studied and used to develop a specific multidisciplinary protocol, involving experts of many different disciplines [34].…”
Section: Cultural Heritage and Gemstonesmentioning
confidence: 99%
See 1 more Smart Citation
“…Regarding the multidisciplinary protocols, the characterization study of the Chiaravalle Cross can be considered as an example. Indeed, this cross is a medieval masterpiece belonging to the Duomo of Milan Museum collection (Italy), where a total of 985 gemstones are set, including four Trapiche Sapphires representing the first Trapiches found in history, and has been studied and used to develop a specific multidisciplinary protocol, involving experts of many different disciplines [34].…”
Section: Cultural Heritage and Gemstonesmentioning
confidence: 99%
“…It means that it is possible to profit from this expertise; not only for gemstone identification and characterization, but also to recognize eventual counterfeiting. Indeed, some authors report several issues correlated with the authenticity of objects even within collections of museums [20,21,34,[39][40][41][42]. Since some samples may have no documented or incomplete provenance, a gap in information and authenticity doubt is possible [43][44][45].…”
Section: Cultural Heritage and Gemstonesmentioning
confidence: 99%