2013
DOI: 10.1016/j.culher.2012.01.004
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The combined use of IRT and LDV for the investigation of historical thin vaults

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Cited by 10 publications
(6 citation statements)
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“…This is the case, for example, when diffused lowerings are present and the vault must be uplifted: before any intervention the risk of damaging the historical lower surface must be assessed, in [13].…”
Section: Accepted Manuscriptmentioning
confidence: 99%
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“…This is the case, for example, when diffused lowerings are present and the vault must be uplifted: before any intervention the risk of damaging the historical lower surface must be assessed, in [13].…”
Section: Accepted Manuscriptmentioning
confidence: 99%
“…Following the good results from [13], this paper presents the first results of an experimental laboratory campaign on the use of LDV for the assessment of the state of conservation of historical plasters (usually bearing frescoes or stuccoes) on historical thin vaults, made by timber arches, reeds, and mortar: an ancient construction technique frequently found in many historical and monumental Italian buildings built between the 16 th and the 19 th century [14][15][16].…”
Section: Accepted Manuscriptmentioning
confidence: 99%
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“…The laser Doppler vibrometry (LDV) technique has demonstrated its large potential in terms of spatial resolution [1][2][3][4], moreover, as a non-destructive method, is suitable for ancient and delicate artworks [5,6]. Several authors addressed the diagnostic of artworks through laser-based methods successfully [7][8][9]. Other NDT techniques such as thermography [10], tag-recognition [11] and microwave reflectometry [12] has been also applied to delicate cultural heritage artworks.…”
Section: Introductionmentioning
confidence: 99%
“…Clutter is usually produced as consequence of reflections on the walls and roofs close to the antenna, and obscures the records because the external anomalies are superimposed to the anomalies produced by the Laser vibrometer has been used in art diagnostic applications (i.e. Castellini et al, 1996 and2003;Borri and Grazini, 2006;Quagliarini et al, 2013). In all cases, the artworks have been excited by some actuator or loudspeakers with white noise.…”
mentioning
confidence: 99%