2017
DOI: 10.1177/0957926517721084
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The construction of anger in comments on the public behavior of members of the social elite in Chile

Abstract: Digital media is a platform of immediate presence that rests on a demediatized communication. It favors virtual collective action that allows digital citizens, in contexts of accentuated social inequality, to construe themselves as anti-establishment. Our research explores the co-participative construction of an online shitstorm, in comments posted on websites generated to respond to power abuse and inequity in Chilean society. The construction of citizens' anger in digital discourse will be analyzed in light … Show more

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Cited by 7 publications
(4 citation statements)
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“…However, it is essential to note that the use of swear words in online discourse can also have negative implications, such as contributing to a hostile and polarised communication environment (Arancibia and Montecino 2017). It is crucial to critically assess the impact of such language on the overall tone and effectiveness of the discourse, as well as its potential to marginalise certain voices further or perpetuate harmful stereotypes.…”
Section: "What About Men?": Anger and Resistance In User-generated Re...mentioning
confidence: 99%
“…However, it is essential to note that the use of swear words in online discourse can also have negative implications, such as contributing to a hostile and polarised communication environment (Arancibia and Montecino 2017). It is crucial to critically assess the impact of such language on the overall tone and effectiveness of the discourse, as well as its potential to marginalise certain voices further or perpetuate harmful stereotypes.…”
Section: "What About Men?": Anger and Resistance In User-generated Re...mentioning
confidence: 99%
“…In recent years, with the deepening of the comprehensive reform of education, "what kind of people to cultivate, how to cultivate people" has become a problem we need to solve [7]. As far as music education is concerned, it has become a consensus of the times to cultivate music education teachers and applied specialists with innovative spirit and practical ability [8] and to focus on cultivating students' practical ability and innovative spirit [9]. The traditional vocal pedagogy classroom is mainly about the history of vocal development, singing organs, the use of breath, the analysis of works, voice maintenance, and other content; this "traditional" content has been unable to meet the problem of talent cultivation, has not been able to carry modern diversified information, can not meet the needs and development of today's society, the teaching mode is in urgent need of reform [10][11].…”
Section: Introductionmentioning
confidence: 99%
“…Breit (2011) employed a critical discursive approach to examine media texts on corruption in Norway. Others invoked critical discourse analysis to examine the discursive positioning of corruption in presidential speeches (Ogunmuyiwa, 2015), construction of online comments to react to power abuse and inequity (Arancibia and Montecino, 2017), representation of corruption in the media (Breit, 2010) and media use of metaphors to recount corruption (Bratu and Kažoka, 2018). Limited research using Appraisal theory has been carried out to establish the nature of linguistic resources employed to portray corrupt conduct and phenomena, particularly in Africa.…”
Section: Introductionmentioning
confidence: 99%
“…Limited research using Appraisal theory has been carried out to establish the nature of linguistic resources employed to portray corrupt conduct and phenomena, particularly in Africa. Although Arancibia and Montecino (2017) invoke Appraisal, the approach is combined with Critical Discourse Analysis (CDA) and focuses on digital media.…”
Section: Introductionmentioning
confidence: 99%