2016
DOI: 10.17159/i65a01
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The construction of the African being in South African history textbooks

Abstract: This study is rooted in the move by the South African government at the turn of the 21stcentury to spearhead the conception of what then President Thabo Mbeki referred to as anAfrican Renaissance. This move entailed cultivating an African consciousness; educationbeing one of the key tools. With textbooks still playing a critical role in the educationsystem, I analysed South African National Curriculum Statement-compliant historytextbooks in order to understand the construction of the African being. I employed … Show more

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Cited by 2 publications
(2 citation statements)
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“…It is a taboo that when a widow has lost a husband, she cannot dress in her old clothes and should give them away to other people; this raises the question as to when and how a taboo takes place in our society. While Maposa (2016: 8) explains taboo as a traditional sacrament which is performed in a socioreligious setting, it can also be said that ilishwa/umshophi is the system or art of setting things apart as forbidden because they are sacred, unclean or cursed either Ukuzila/Inzilo (the Zulu word meaning mourning) – Africans believe that death is not the end of human life (Mbiti, 1991: 128). Women in mourning for deceased husband.…”
Section: Some Insights From Isizulu Culturementioning
confidence: 99%
“…It is a taboo that when a widow has lost a husband, she cannot dress in her old clothes and should give them away to other people; this raises the question as to when and how a taboo takes place in our society. While Maposa (2016: 8) explains taboo as a traditional sacrament which is performed in a socioreligious setting, it can also be said that ilishwa/umshophi is the system or art of setting things apart as forbidden because they are sacred, unclean or cursed either Ukuzila/Inzilo (the Zulu word meaning mourning) – Africans believe that death is not the end of human life (Mbiti, 1991: 128). Women in mourning for deceased husband.…”
Section: Some Insights From Isizulu Culturementioning
confidence: 99%
“…12.For such an analysis, I refer the readers to, among others,Paphitis and Kelland (2017);Maposa (2016);Singh and Bhana (2015);Memela (2015); Park (2011); Anon. (2010);Farred (2006); and Kanneh (1998).…”
mentioning
confidence: 99%