The Construction of the Discourse of Violence in Liberation War Films: The Case of Catch a Fire (2006)

Abstract

This article seeks to unveil the construction of the discourse of violence in liberation war films. It uses a South African film that deals with the anti-apartheid war launched by Umkhonto we Sizwe (MK) guerrillas. Violence is represented by the war. The article borrows from the input of psychologists such as Baumester, Polaschek, Whitehead and King, who have written on violence, with a view to analysing the psychological construction of violence. The article argues that violence does not just command negative readings in the film; rather violence is seen as ambivalent and necessary. The article argues that there is a connection between violence and the idea of nation. It is through violence that nations reinforce notions of heroism, patriotism, villainy, pride and honour. It reveals how violence creates a cohesive element that binds a nation together. The article also analyses the relationship between masculinity and violence with a view to pointing out how masculinity and violence are linked to the nation through the concepts of heroism and sacrifice.